"The performance seemed quite perfect to-day," said Uncle John. "I suppose, Mrs. Montrose, you do not—er—er—act, yourself?"
"Oh. I have helped out, sometimes, when a matronly personation is required, but my regular duties keep me busily engaged in the office."
"May we ask what those duties are?" said Louise.
"I'm the reader of scenarios."
"Dear me!" exclaimed Patsy. "I'm sure we don't know any more than we did before."
"A 'scenario,'" said the lady, "is a description of the plot for a photo-play. It is in manuscript form and hundreds of scenarios are submitted to us from every part of the country, and by people in all walks of life."
"I shouldn't think you could use so many," said Beth.
"We can't, my dear," responded the lady, laughing at her simplicity. "The majority of the scenarios we receive haven't a single idea that is worth considering. In most of the others the ideas are stolen, or duplicated from some other picture-play. Once in a while, however, we find a plot of real merit, and then we accept it and pay the author for it."
"How much?" inquired Arthur.
"So little that I am ashamed to tell you. Ideas are the foundation of our business, and without them we could not make successful films; but when Mr. Goldstein buys an idea he pays as little for it as possible, and the poor author usually accepts the pittance with gratitude."