There was one window, dim and unwashed, facing the street. It had a thick shade, now raised. Originally the room had been square, and rather crudely plastered and wallpapered, but a wooden partition had afterward been erected to cut the room into two, so that the portion she had entered was long and narrow. Its sole furniture consisted of the round table, quite bare, two or three wooden-bottomed chairs, and against one wall a rack filled with books. During the interview she noted that these books were mostly directories of the inhabitants of various prominent cities in the United States, and such a collection astonished her and aroused her curiosity.
Just at present, however, the partition proved the most interesting thing she observed, for beyond it must be another room which was doubtless the particular sanctum of Old Swallowtail and to which she scarcely expected to gain admittance. The door was closed. It was stout and solid and was fitted with both an ordinary door-lock and a hasp and padlock, the latter now hanging on a nail beside the door.
This much Josie's sharp eyes saw in her first glance, but immediately her attention was demanded by Mr. Cragg, who took a seat opposite her and said in a quiet, well modulated voice: "Now, my girl, state your business." She had planned to tell him how she had come to town to sew for Mary Louise Burrows, how she had now finished her work but was so charmed with Cragg's Crossing that she did not care to leave it during the hot weather to return to the stuffy city. Therefore, she intended to add, if he would let her make some new dresses for Ingua, she would work for half her regular wages. Her dress as a sewing-girl would carry out this deception and the bait of small wages ought to interest the old man. But this clever plan had suddenly gone glimmering, for in order to gain admittance to the office and secure an interview with Old Swallowtail she had inadvertently stated that she had some real estate to dispose of. So sudden a change of base required the girl to think quickly in order to formulate a new argument that would hold his attention.
To gain time she said, slowly:
"My name is Josie Jessup. I'm a sewing-girl by profession."
"Yes, I know," he replied.
"I've been here ten days or so, working for Miss Burrows."
"I have seen you here," said Mr. Cragg.
She wondered how he knew so much, as he had never seemed to favor her with even a glance when by chance they met in the street. But perhaps Ingua had told him.
"I like Cragg's Crossing," continued Josie, assuming a confidential tone, "and I've made up my mind I'd like to live here. There ought to be plenty of work sewing for the farmers' wives, outside of what Miss Huckins does, and it don't cost much to live in a small town. In the city I own a little house and lot left to me by my uncle on my mother's side, and I've decided to trade it for some place here. Don't you know, sir, of someone who'd like to move to the city, and will be glad to make the exchange?"