Alora marveled at the restaurant even more than at the studio furnishings. It looked a hundred years old and the atmosphere still retained the fumes of much ancient cookery. The linen was coarse, the plating worn from the forks and spoons through constant use, the dishes thick and clumsy and well nicked. Alora was hungry and she ate what her father ordered for her, although she decided it did not taste very nice.
When they sat down a man from behind the counter approached them and bending low said in a quiet tone:
"You know, Jones, it's to be a cash deal from now on."
"Of course," replied Alora's father, with a slight frown. "Also I'll pay you the old account, if you'll make out the bill."
The man smiled, patted Alora's head—a liberty she indignantly resented—and went back to his desk.
During the meal and, indeed, ever since their arrival in New York, Jason Jones cast frequent puzzled glances into the face of his little daughter, who until now had accepted her changed conditions with evident indifference. But as they ate together in silence her small features grew grave and thoughtful and her father shrank from meeting the inquiring glances of her big eyes. Yet even now she made no complaint. Neither did she ask questions. Her look was expectant, however, and that was what embarrassed him.
After the dinner they went back to the dingy studio, where the man lighted a pipe and sat opposite his small daughter, puffing uneasily. They were both reserved; there was an indefinable barrier between them which each was beginning to recognize. Presently Alora asked to go to bed and he sent her to her room with a nod of relief.
Next morning they had breakfast at the same stuffy little restaurant and afterward Alora unpacked some things from her trunks and put them in the drawers of the broken-legged dresser. It seemed odd to have no maid to wait upon her, but she was glad to have something to do. As she passed to and from the studio she noticed that her father had resumed work on a picture that represented two cows eating a broken pumpkin that lay in a cornfield. He worked slowly and never seemed satisfied with what he did, as if lacking confidence in his ability. Lory decided he couldn't be blamed for that.
The child plodded drearily along in her new life for a full week. Then she began to grow restless, for the place was hateful and repulsive to her. But now an incident occurred that gave her new cause for wonder.
One day the door opened and a woman walked into the studio. It was Janet Orme, her mother's former nurse, but what a new and astonishing Janet it was! Her silken gown was very "fashionable," somewhat too modish for good taste, for it was elaborately trimmed and embroidered. She wore considerable jewelry, including diamonds; her shoes were elegant and her hose daintily clocked; her hat must have been a French milliner's choicest creation. If good clothes could make Janet Orme a lady, there was no question of her social standing, yet even little Alora felt that Janet was out of her element—that she fell short, in some vague way, of being what she was ambitious to appear.