"You are not honest with me, Doctor Anstruther! What I wish to know—what I must know—is how soon this disease will be able to kill me. If we manage to defer the end somewhat, all the better; but the fiend must not take me unaware, before I am ready to resign my life."
He seated himself beside the bed and reflected. This was his most interesting patient; he had attended her constantly for more than a year and in this time had learned to admire not only her beauty of person but her "gameness" and wholesome mentality. He knew something of her past life and history, too, as well from her own lips as from common gossip, for this was no ordinary woman and her achievements were familiar to many.
She was the daughter of Captain Bob Seaver, whose remarkable career was known to every man in the West. Captain Bob was one "forty-niners" and had made fortunes and lost them with marvelous regularity. He had a faculty for finding gold, but his speculations were invariably unwise, so his constant transitions from affluence to poverty, and vice versa, were the subject of many amusing tales, many no doubt grossly exaggerated. And the last venture of Captain Bob Seaver, before he died, was to buy the discredited "Ten-Spot" mine and start to develop it.
At that time he was a widower with one motherless child—Antoinette—a girl of eighteen who had been reared partly in mining camps and partly at exclusive girls' schools in the East, according to her father's varying fortunes. "Tony" Seaver, as she was generally called in those days, combined culture and refinement with a thorough knowledge of mining, and when her father passed away and left her absolute mistress of the tantalizing "Ten-Spot," she set to work to make the mine a success, directing her men in person and displaying such shrewd judgment and intelligence, coupled with kindly consideration for her assistants, that she became the idol of the miners, all of whom were proud to be known as employees of Tony Seaver's "Ten-Spot" would have died for their beautiful employer if need be.
And the "Ten-Spot" made good. In five years Tony had garnered a million or two of well-earned dollars, and then she sold out and retired from business. Also, to the chagrin of an army of suitors, she married an artist named Jason Jones, whose talent, it was said, was not so great as his luck. So far, his fame rested on his being "Tony Seaver's husband." But Tony's hobby was art, and she had recognized real worth, she claimed, in Jason Jones' creations. On her honeymoon she carried her artist husband to Europe and with him studied the works of the masters in all the art centers of the Continent. Then, enthusiastic and eager for Jason's advancement, she returned with him to New York and set him up in a splendid studio where he had every convenience and incentive to work.
So much the world at large knew. It also knew that within three years Mrs. Antoinette Seaver Jones separated from her husband and, with her baby girl, returned West to live. The elaborate Jones studio was abandoned and broken up and the "promising young artist" disappeared from the public eye. Mrs. Jones, a thorough business woman, had retained her fortune in her own control and personally attended to her investments. She became noted as a liberal patron of the arts and a generous donor to worthy charities. In spite of her youth, wealth, and beauty, she had no desire to shine in society and lived a somewhat secluded life in luxurious family hotels, attending with much solicitude to the training and education of her daughter Alora.
At first she had made Denver her home, but afterward migrated from one middle-west city to another until she came to Chicago, where she had now lived for nearly three years, occupying the most expensive suite of rooms at the very exclusive Hotel Voltaire.
Alora fairly worshipped her beautiful mother and although Mrs. Antoinette Seaver Jones was considered essentially cold and unemotional by those who knew her casually, there was no doubt she prized her child as her dearest possession and lavished all the tenderness and love of which she was capable upon her.
Retrospectively, Doctor Anstruther considered this historical revue of his fair patient as he sat facing her. It seemed a most unhappy fate that she should be cut off in the flower of her womanhood, but her case was positively hopeless, and she knew it and had accepted the harsh verdict without a murmur. Bravery had always been Tony Seaver's prime characteristic. To Doctor Anstruther it seemed that she might as well know the truth which she had demanded from his lips.
"This disease is one that accelerates toward the end," he said. "Within the past few days we have noted its more virulent tendency. All we can do now is to keep you from suffering until—the end."