| The Bondswoman's Son (8) Fermentation Time (8) In the Red Room (8) The Author (8) | 1886-1887 |
| The People of Hemsö (3) | 1887 |
| Fisher folk (3) | 1888 |
(8) Autobiography.
These novels represent the author's emancipation from the bondage of "problems"; Strindberg points out that they are simply descriptions of country life and scenery.
| Sketches of Flowers and Animals | 1888 |
| The Father (1) | 1887 |
| Lady Julie (1) | 1888 |
| Comrades (1) | 1888 |
| Creditors (1) | 1890 |
| Pariah (1) | 1890 |
| Samum (1) | 1890 |
| The Stronger (1) | 1890 |
| Facing Death (1) | 1893 |
| The First Warning (1) | 1893 |
| Debit and Credit (1) | 1893 |
| Mother-Love (1) | 1893 |
| Playing with Fire (1) | 1897 |
| The Link (1) | 1897 |
| Among French Peasants | 1889 |
| Tschandala (2) | 1889 |
| The Island of Bliss (2) | 1890 |
| At the Edge of the Sea (3) | 1890 |
Strindberg remarks that "At the Edge of the Sea" was influenced by Nietzsche, but "the individual succumbs in the struggle for absolute individualism."
| Things Printed and Unprinted (Two Volumes) (9) | 1890-1897 |
(9) Essays.
| The Associations of France and Sweden up to the Present Time | 1891 |
(To be published for the first time in Swedish.)