Further Chronicles of Avonlea

by L. M. Montgomery

Tannis came home from the academy at Prince Albert early in July, when Carey had been at the Flats a month and had exhausted all the few novelties of his position. Paul Dumont had already become so expert at the code that his mistakes no longer afforded Carey any fun, and the latter was getting desperate. He had serious intentions of throwing up the business altogether, and betaking himself to an Alberta ranch, where at least one would have the excitement of roping horses. When he saw Tannis Dumont he thought he would hang on awhile longer, anyway.

Tannis was the daughter of old Auguste Dumont, who kept the one small store at the Flats, lived in the one frame house that the place boasted, and was reputed to be worth an amount of money which, in half-breed eyes, was a colossal fortune. Old Auguste was black and ugly and notoriously bad-tempered. But Tannis was a beauty.

Tannis' great-grandmother had been a Cree squaw who married a French trapper. The son of this union became in due time the father of Auguste Dumont. Auguste married a woman whose mother was a French half-breed and whose father was a pure-bred Highland Scotchman. The result of this atrocious mixture was its justification—Tannis of the Flats—who looked as if all the blood of all the Howards might be running in her veins.

But, after all, the dominant current in those same veins was from the race of plain and prairie. The practiced eye detected it in the slender stateliness of carriage, in the graceful, yet voluptuous, curves of the lithe body, in the smallness and delicacy of hand and foot, in the purple sheen on straight-falling masses of blue-black hair, and, more than all else, in the long, dark eye, full and soft, yet alight with a slumbering fire. France, too, was responsible for somewhat in Tannis. It gave her a light step in place of the stealthy half-breed shuffle, it arched her red upper lip into a more tremulous bow, it lent a note of laughter to her voice and a sprightlier wit to her tongue. As for her red-headed Scotch grandfather, he had bequeathed her a somewhat whiter skin and ruddier bloom than is usually found in the breeds.

Old Auguste was mightily proud of Tannis. He sent her to school for four years in Prince Albert, bound that his girl should have the best. A High School course and considerable mingling in the social life of the town—for old Auguste was a man to be conciliated by astute politicians, since he controlled some two or three hundred half-breed votes—sent Tannis home to the Flats with a very thin, but very deceptive, veneer of culture and civilization overlying the primitive passions and ideas of her nature.

Carey saw only the beauty and the veneer. He made the mistake of thinking that Tannis was what she seemed to be—a fairly well-educated, up-to-date young woman with whom a friendly flirtation was just what it was with white womankind—the pleasant amusement of an hour or season. It was a mistake—a very big mistake. Tannis understood something of piano playing, something less of grammar and Latin, and something less still of social prevarications. But she understood absolutely nothing of flirtation. You can never get an Indian to see the sense of Platonics.

Carey found the Flats quite tolerable after the homecoming of Tannis. He soon fell into the habit of dropping into the Dumont house to spend the evening, talking with Tannis in the parlor—which apartment was amazingly well done for a place like the Flats—Tannis had not studied Prince Albert parlors four years for nothing—or playing violin and piano duets with her. When music and conversation palled, they went for long gallops over the prairies together. Tannis rode to perfection, and managed her bad-tempered brute of a pony with a skill and grace that made Carey applaud her. She was glorious on horseback.

Sometimes he grew tired of the prairies and then he and Tannis paddled themselves over the river in Nitchie Joe's dug-out, and landed on the old trail that struck straight into the wooded belt of the Saskatchewan valley, leading north to trading posts on the frontier of civilization. There they rambled under huge pines, hoary with the age of centuries, and Carey talked to Tannis about England and quoted poetry to her. Tannis liked poetry; she had studied it at school, and understood it fairly well. But once she told Carey that she thought it a long, round-about way of saying what you could say just as well in about a dozen plain words. Carey laughed. He liked to evoke those little speeches of hers. They sounded very clever, dropping from such arched, ripely-tinted lips.

If you had told Carey that he was playing with fire he would have laughed at you. In the first place he was not in the slightest degree in love with Tannis—he merely admired and liked her. In the second place, it never occurred to him that Tannis might be in love with him. Why, he had never attempted any love-making with her! And, above all, he was obsessed with that aforesaid fatal idea that Tannis was like the women he had associated with all his life, in reality as well as in appearance. He did not know enough of the racial characteristics to understand.

But, if Carey thought his relationship with Tannis was that of friendship merely, he was the only one at the Flats who did think so. All the half-breeds and quarter-breeds and any-fractional breeds there believed that he meant to marry Tannis. There would have been nothing surprising to them in that. They did not know that Carey's second cousin was a baronet, and they would not have understood that it need make any difference, if they had. They thought that rich old Auguste's heiress, who had been to school for four years in Prince Albert, was a catch for anybody.