"What will you do?"
"Work, dear Eve. My carefully acquired laziness must be thrown to the winds and I shall work. That is the rule outside of Eden. Don't worry. I've painted pictures that have actually been sold. I'll make a living for us somehow."
"Us?"
"Of course. You are engaged to me."
"I am not," said Mollie indignantly.
"Mollie! Mollie! After that kiss! Fie, fie!"
"You are very absurd," said Mollie, "But your absurdity has been amusing. I have—yes, positively—I have enjoyed your Eden comedy. But now you must not come any further with me. My aunt might not approve. Here is my path to Orchard Knob farmhouse. There, I presume, is yours to Sweetbriar Cottage. Good morning."
"I am coming over to see you this afternoon," said Murray coolly. "But you needn't be afraid. I will not tell tales out of Eden. I will be a hypocrite and pretend to Mrs. Palmer that we have never met before. But you and I will know and remember. Now, you may go. I reserve to myself the privilege of standing here and watching you out of sight."
That afternoon Murray strolled over to Orchard Knob, going into the kitchen without knocking as was the habit in that free and easy world. Mrs. Palmer was lying on the lounge with a pungent handkerchief bound about her head, but keeping a vigilant eye on a very pretty, very plump brown-eyed girl who was stirring a kettleful of cherry preserve on the range.