When you were first introduced to her you called her Miss Stanleymain. Her endurance of that was limited to twenty-four hours. Then she begged you to call her Miss Sylvia, and as Miss Sylvia you spoke and thought of her forevermore.
Miss Sylvia liked us all, but I was her favourite. She told us so frankly and let it be understood that when I was talking to her and her heliotrope shawl was allowed to slip under one arm it was a sign that we were not to be interrupted. I was as vain of her favour as any lovelorn suitor whose lady had honoured him, not knowing, as I came to know later, the reason for it.
Although Miss Sylvia had an unlimited capacity for receiving confidences, she never gave any. We were all sure that there must be some romance in her life, but our efforts to discover it were unsuccessful. Miss Sylvia parried tentative questions so skilfully that we knew she had something to defend. But one evening, when I had known her a month, as time is reckoned, and long years as affection and understanding are computed, she told me her story—at least, what there was to tell of it. The last chapter was missing.
We were sitting together on the veranda at sunset. Most of the hotel people had gone for a harbour sail; a few forlorn mortals prowled about the grounds and eyed our corner wistfully, but by the sign of the heliotrope shawl knew it was not for them.
I was reading one of my stories to Miss Sylvia. In my own excuse I must allege that she tempted me to do it. I did not go around with manuscripts under my arm, inflicting them on defenceless females. But Miss Sylvia had discovered that I was a magazine scribbler, and moreover, that I had shut myself up in my room that very morning and perpetrated a short story. Nothing would do but that I read it to her.
It was a rather sad little story. The hero loved the heroine, and she loved him. There was no reason why he should not love her, but there was a reason why he could not marry her. When he found that he loved her he knew that he must go away. But might he not, at least, tell her his love? Might he not, at least, find out for his consolation if she cared for him? There was a struggle; he won, and went away without a word, believing it to be the more manly course. When I began to read Miss Sylvia was knitting, a pale green something this time, of the tender hue of young leaves in May. But after a little her knitting slipped unheeded to her lap and her hands folded idly above it. It was the most subtle compliment I had ever received.
When I turned the last page of the manuscript and looked up, Miss Sylvia's soft brown eyes were full of tears. She lifted her hands, clasped them together and said in an agitated voice:
"Oh, no, no; don't let him go away without telling her—just telling her. Don't let him do it!"
"But, you see, Miss Sylvia," I explained, flattered beyond measure that my characters had seemed so real to her, "that would spoil the story. It would have no reason for existence then. Its motif is simply his mastery over self. He believes it to be the nobler course."
"No, no, it wasn't—if he loved her he should have told her. Think of her shame and humiliation—she loved him, and he went without a word and she could never know he cared for her. Oh, you must change it—you must, indeed! I cannot bear to think of her suffering what I have suffered."