Rilla was beside herself with delight. It was her dear Walter who had done this thing—Walter, to whom someone had sent a white feather at Redmond—it was Walter who had dashed back from the safety of the trench to drag in a wounded comrade who had fallen on No-man's-land. Oh, she could see his white beautiful face and wonderful eyes as he did it! What a thing to be the sister of such a hero! And he hadn't thought it worth while writing about. His letter was full of other things—little intimate things that they two had known and loved together in the dear old cloudless days of a century ago.
"I've been thinking of the daffodils in the garden at Ingleside," he wrote. "By the time you get this they will be out, blowing there under that lovely rosy sky. Are they really as bright and golden as ever, Rilla? It seems to me that they must be dyed red with blood—like our poppies here. And every whisper of spring will be falling as a violet in Rainbow Valley.
"There is a young moon tonight—a slender, silver, lovely thing hanging over these pits of torment. Will you see it tonight over the maple grove?
"I'm enclosing a little scrap of verse, Rilla. I wrote it one evening in my trench dug-out by the light of a bit of candle—or rather it came to me there—I didn't feel as if I were writing it—something seemed to use me as an instrument. I've had that feeling once or twice before, but very rarely and never so strongly as this time. That was why I sent it over to the London Spectator. It printed it and the copy came today. I hope you'll like it. It's the only poem I've written since I came overseas."
The poem was a short, poignant little thing. In a month it had carried Walter's name to every corner of the globe. Everywhere it was copied—in metropolitan dailies and little village weeklies—in profound reviews and "agony columns," in Red Cross appeals and Government recruiting propaganda. Mothers and sisters wept over it, young lads thrilled to it, the whole great heart of humanity caught it up as an epitome of all the pain and hope and pity and purpose of the mighty conflict, crystallized in three brief immortal verses. A Canadian lad in the Flanders trenches had written the one great poem of the war. "The Piper," by Pte. Walter Blythe, was a classic from its first printing.
Rilla copied it in her diary at the beginning of an entry in which she poured out the story of the hard week that had just passed.
"It has been such a dreadful week," she wrote, "and even though it is over and we know that it was all a mistake that does not seem to do away with the bruises left by it. And yet it has in some ways been a very wonderful week and I have had some glimpses of things I never realized before—of how fine and brave people can be even in the midst of horrible suffering. I am sure I could never be as splendid as Miss Oliver was.
"Just a week ago today she had a letter from Mr. Grant's mother in Charlottetown. And it told her that a cable had just come saying that Major Robert Grant had been killed in action a few days before.
"Oh, poor Gertrude! At first she was crushed. Then after just a day she pulled herself together and went back to her school. She did not cry—I never saw her shed a tear—but oh, her face and her eyes!
"'I must go on with my work,' she said. 'That is my duty just now.'