One day, coming home through the woods, with her arms full of trailing arbutus and creeping spruce, she met a man who she knew must be Allan Tierney. Allan Tierney, the celebrated painter of beautiful women. He lived in New York in winter, but he owned an island cottage at the northern end of Mistawis to which he always came the minute the ice was out of the lake. He was reputed to be a lonely, eccentric man. He never flattered his sitters. There was no need to, for he would not paint any one who required flattery. To be painted by Allan Tierney was all the cachet of beauty a woman could desire. Valancy had heard so much about him that she couldn’t help turning her head back over her shoulder for another shy, curious look at him. A shaft of pale spring sunlight fell through a great pine athwart her bare black head and her slanted eyes. She wore a pale green sweater and had bound a fillet of linnæa vine about her hair. The feathery fountain of trailing spruce overflowed her arms and fell around her. Allan Tierney’s eyes lighted up.
“I’ve had a caller,” said Barney the next afternoon, when Valancy had returned from another flower quest.
“Who?” Valancy was surprised but indifferent. She began filling a basket with arbutus.
“Allan Tierney. He wants to paint you, Moonlight.”
“Me!” Valancy dropped her basket and her arbutus. “You’re laughing at me, Barney.”
“I’m not. That’s what Tierney came for. To ask my permission to paint my wife—as the Spirit of Muskoka, or something like that.”
“But—but—” stammered Valancy, “Allan Tierney never paints any but—any but——”
“Beautiful women,” finished Barney. “Conceded. Q. E. D., Mistress Barney Snaith is a beautiful woman.”
“Nonsense,” said Valancy, stooping to retrieve her arbutus. “You know that’s nonsense, Barney. I know I’m a heap better-looking than I was a year ago, but I’m not beautiful.”
“Allan Tierney never makes a mistake,” said Barney. “You forget, Moonlight, that there are different kinds of beauty. Your imagination is obsessed by the very obvious type of your cousin Olive. Oh, I’ve seen her—she’s a stunner—but you’d never catch Allan Tierney wanting to paint her. In the horrible but expressive slang phrase, she keeps all her goods in the shop-window. But in your subconscious mind you have a conviction that nobody can be beautiful who doesn’t look like Olive. Also, you remember your face as it was in the days when your soul was not allowed to shine through it. Tierney said something about the curve of your cheek as you looked back over your shoulder. You know I’ve often told you it was distracting. And he’s quite batty about your eyes. If I wasn’t absolutely sure it was solely professional—he’s really a crabbed old bachelor, you know—I’d be jealous.”