The Golden Road

by L. M. Montgomery

Jasper looked after her with a new, painful sense of loss and loveliness. It had been agony to feel her conscious eyes upon him, but he realized now that there had been a strange sweetness in it, too. It was still greater pain to watch her going from him.

He thought she must be the new music teacher but he did not even know her name. She had been dressed in blue, too—a pale, dainty blue; but that was of course; he had known she must wear it; and he was sure her name must be Alice. When, later on, he discovered that it was, he felt no surprise.

He carried some mayflowers up to the west gable and put them under the picture. But the charm had gone out of the tribute; and looking at the picture, he thought how scant was the justice it did her. Her face was so much sweeter, her eyes so much softer, her hair so much more lustrous. The soul of his love had gone from the room and from the picture and from his dreams. When he tried to think of the Alice he loved he saw, not the shadowy spirit occupant of the west gable, but the young girl who had stood under the pine, beautiful with the beauty of moonlight, of starshine on still water, of white, wind-swayed flowers growing in silent, shadowy places. He did not then realize what this meant: had he realized it he would have suffered bitterly; as it was he felt only a vague discomfort—a curious sense of loss and gain commingled.

He saw her again that afternoon on her way home. She did not pause by the garden but walked swiftly past. Thereafter, every day for a week he watched unseen to see her pass his home. Once a little child was with her, clinging to her hand. No child had ever before had any part in the shy man’s dream life. But that night in the twilight the vision of the rocking-chair was a girl in a blue print dress, with a little, golden-haired shape at her knee—a shape that lisped and prattled and called her “mother;” and both of them were his.

It was the next day that he failed for the first time to put flowers in the west gable. Instead, he cut a loose handful of daffodils and, looking furtively about him as if committing a crime, he laid them across the footpath under the pine. She must pass that way; her feet would crush them if she failed to see them. Then he slipped back into his garden, half exultant, half repentant. From a safe retreat he saw her pass by and stoop to lift his flowers. Thereafter he put some in the same place every day.

When Alice Reade saw the flowers she knew at once who had put them there, and divined that they were for her. She lifted them tenderly in much surprise and pleasure. She had heard all about Jasper Dale and his shyness; but before she had heard about him she had seen him in church and liked him. She thought his face and his dark blue eyes beautiful; she even liked the long brown hair that Carlisle people laughed at. That he was quite different from other people she had understood at once, but she thought the difference in his favour. Perhaps her sensitive nature divined and responded to the beauty in his. At least, in her eyes Jasper Dale was never a ridiculous figure.

When she heard the story of the west gable, which most people disbelieved, she believed it, although she did not understand it. It invested the shy man with interest and romance. She felt that she would have liked, out of no impertinent curiosity, to solve the mystery; she believed that it contained the key to his character.

Thereafter, every day she found flowers under the pine tree; she wished to see Jasper to thank him, unaware that he watched her daily from the screen of shrubbery in his garden; but it was some time before she found the opportunity. One evening she passed when he, not expecting her, was leaning against his garden fence with a book in his hand. She stopped under the pine.

“Mr. Dale,” she said softly, “I want to thank you for your flowers.”

Jasper, startled, wished that he might sink into the ground. His anguish of embarrassment made her smile a little. He could not speak, so she went on gently.