Andreas Hofer: An Historical Novel

by L. Mühlbach

To-day the twenty-fifth performance of "The Creation" was to take place at Vienna, and Joseph Haydn himself was to be present at the concert. The committee of arrangements had invited him, and he had accepted the invitation. Although his seventy-seven years were resting heavily on his head, and had paralyzed his strength, be could not withstand the honorable request of his friends and admirers, and he had replied with a touching smile to the committee of arrangements, whose delegates had conveyed the invitation to him "I shall come to take leave of the world with my 'Creation,' and bid a last farewell to my dear Viennese. YOU will often yet sing my 'Creation,' but I shall hear it for the last time!"

"For the last time!" These were the words which had thrilled all the friends and admirers of the maestro, and filled them with the ardent desire to greet him once more, and render him homage for the last time. For all felt and knew that Haydn had spoken the truth, and that his end was drawing near. All, therefore, longed to take part in this last triumph of the composer of "The Creation," whom death had already touched with its inexorable finger.

Hence, there was a perfect jam in front of the university building; the equipages of the high nobility formed two immense lines down the long street; like a black, surging stream, rising from moment to moment, the part of the audience arriving on foot moved along the houses and between the double line of carriages toward the entrance of the building. Thousands had vainly applied for admission at the ticket-office; there was room only for fifteen hundred persons in the aula and the adjoining rooms, and perhaps as many thousands had come to hear the concert. As they could not be admitted into the hall, they remained in the street in front of the building; as they could not hear Haydn's music, they wished at least to see his face and cheer him on his arrival at the door.

But there was a surging crowd also in the festively-decorated university hall. All had come in their holiday attire, and joy and profound emotion beamed from all faces. Friends shook hands and greeted each other with radiant eyes; and even those who did not know each other exchanged kindly greetings and pleasant smiles on seating themselves side by side, and looked at each other as though they were friends and acquaintances, and not entire strangers.

For all felt the great importance of this hour; all felt themselves Germans, owing to the homage which they were to render to the German maestro and to German music; and all knew that this festival would be looked upon beyond the Rhine as a hostile demonstration of the Germans against French pride and arrogance. They wished to show to France that, although Germany was dismembered, the heart of the Germans throbbed for Germany and German art, and that they did not feel at all alarmed at the grandiloquent threats of the Emperor of the French, but yielded with undisturbed equanimity to the enjoyment of German art. While the threatening words of the Emperor Napoleon were resounding, like ringing war-fanfares, from Paris, the Viennese desired to respond to him by the beautiful notes of sublime music; and, regardless of the growls of the lion beyond the Rhine, they wished to delight in the soul-stirring harmonies of "The Creation."

All preparations were now completed. The hall was all ablaze with the wax-lights which were beaming down from those gigantic lustres, and whose rays were reflected in the large mirrors covering the walls. The imperial box was splendidly festooned with rare flowers, and decorated with carpets and gilt candelabra, whose enormous wax- lights filled the interior of the spacious box with broad daylight.

Opposite the imperial box, on the other side of the hall, rose the large tribune destined for an orchestra of eighty performers and a choir of one hundred singers. All the latter, too, were in joyous spirits; all were animated to-day, not by the envy and jealousy so often to be found among artistes, but by the one great desire to contribute their share to the homage to be rendered to German art. They did not wish to-day to exhibit themselves and their artistic skill, but desired only to render homage to the music of the great maestro, and to German art.

And now the hour was at hand when the concert was to commence. The audience had taken their seats, the orchestra ceased tuning their instruments, the singers were in readiness, and the committee of arrangements had gone down to the street-door to await Haydn's arrival.

The door of the imperial box opened at this moment, and the emperor and empress entered, followed by the archdukes and their suites. To- day for the first time the audience took no notice of these august persons; they did not rise to greet the imperial couple and the archdukes. No one had perceived their arrival, for all eyes were steadfastly fixed on the large folding-doors by which Joseph Haydn was to enter the hall.

He had been expected already for some time, and the audience began to whisper anxiously: "Will he, perhaps, not come, after all? Will his physician not permit him to go to the concert because the excitement might be injurious to him?"