Barbarina! ah! that was an adored and a hated name. The women spoke of her with frowning brows and contemptuous laughter, the men with flashing eyes and boundless enthusiasm; the one despised and abhorred her, even as the other exalted and adored her. And truly both had cause: the women hated her because she stole from them the eyes and hearts of their lovers and husbands; the men worshipped her as a blossom of beauty, a fairy wonder, a consecrated divinity.
These two parties were as zealous as the advocates of the white and red rose. The women fought under the banner of the faded, withered white rose; the men gathered around the flag of her glowing sister, the enchanting Barbarina. This was no equal contest, no doubtful result. The red rose must conquer. At the head of her army stood the greatest of warriors. The king was at the same time Barbarina's general and subject. The white rose must yield, she had no leader.
Possibly Elizabeth Christine desired to lead the army of martyrs; possibly the same rage and scorn swelled in her heart which spoiled the peace of other women. But her modest and trembling lips betrayed nothing of the secret storms of her bosom; her soft and gentle smile veiled her shrouded wishes and the hopes there buried in her heart. One could scarcely believe that this timid, pious queen could worship an earthly object, or yield herself one moment to the bare passion of hate. Truly Elizabeth Christine hated no one, not even Barbarina—this woman who had given the last blow to her tortured heart, and added the passion of jealousy to her despised love. Elizabeth Christine was indeed jealous, but not in the common way; she felt no scorn, she uttered no reproach; silent tears and earnest prayers for strength were her only speech.
The king had given her no occasion to complain of his love for Barbarina; she did not know that he had ever approached her, even spoken to her; she knew, however, with what looks and smiles of rapture he gazed upon her, and she would joyfully have given her life for one such glance or smile. That, however, which was not known to Elizabeth, was fully understood by the whole court. It was known that more than once the Barbarina had supped with the king at the house of General Rothenberg; it was known that the king, every time the Barbarina danced, was behind the curtain, and that, he had commanded the court painter, Pesne, to paint her portrait, life size, for him.
Was not this enough to exalt the signora in the eyes of every courtier and every diplomatist to the first rank of beauty and power? Would they not, indeed, have hastened to acknowledge her claims, even had she not been the loveliest and most enchanting creature? She was indeed a queen, a powerful enchantress. Men struggled for one smile, one glance; they bowed down to all her caprices and humors; worship, submission, and obedience were the tribute brought by all. Her house was besieged with visits and petitions as if it were the palace of a fairy queen. Barbarina had her court circle, her levees, her retinue. [Footnote: Schneider, "History of the Opera and Opera-Houses in Berlin.">[ All her subjects rendered her a glad and voluntary service, and received no other compensation than a gay smile or friendly word.
All this splendor, consideration, and worship, of which she was the shining centre, seemed to make no impression upon the heart of the proud and self-reliant artiste; she was accustomed to it, and moved on in silent majesty; her whole life had been a triumphant march. Like a summer morning glittering in the dew and sunshine, she had had her little griefs and tears, but they resembled the dew-drops in the flower-cups, shining for a moment like costly diamonds, then kissed away by the sun. Barbarina wept when the king separated her from her lover, Lord Stuart, and forced her to fulfil her contract and come to Berlin. She wept no more. Was it because she was too proud? or had the sun of royal favor kissed away her tears?
Barbarina's tears had ceased to flow, but she smiled rarely. She had the grace and imposing beauty of the Roman, and never forgot that she was a daughter of that proud nation who had ruled the world, and, even though disenthroned, preserved her majesty and renown. Barbarina was a glowing, passionate woman, and passion adorns itself with flashing eyes, with a clear and touching pallor and crimson lips, but never with the innocent smile and harmless jest. She was never heard and rarely seen to laugh. Laughter was not in harmony with her proud beauty, but smiles illuminated and glorified it. She was imperial to look upon; but, filled with all sweet charity and gentle grace, womanly and tender; with a full consciousness of her power, she was humble and yielding. In the midst of her humility she was proud, and sure of success and victory; one moment she was the glowing, ardent, and yielding woman; the next the proud, genial, imposing artiste. Such was Barbarina; an incomprehensible riddle, unsearchable, unfathomable as the sea—ever changing, but great in every aspect.
Barbarina had appeared the evening before, but her dance had been interrupted by a sudden indisposition exactly at the moment when the king appeared in the opera-house. No one knew that the king had returned from his mysterious journey to Silesia; every one believed him to be absent, and the ballet had been arranged without any reference to him. Frederick arrived unexpectedly, and changing his travelling-dress hastened to the opera, no doubt to greet the two queens and his sisters. Barbarina was seized with indisposition at the moment of the king's entrance. She floated smilingly and airily over the stage; her small feet seemed borne by the Loves and Graces. Suddenly she faltered, the smile vanished from her lips, and the slight blush from her cheek, and with a cry of pain she sank insensible upon the floor.
The curtain fell, and an intermission of a quarter of an hour was announced. The king, who was conversing with the queen-mother, appeared to take but little interest in this interruption, but Baron Swartz approached and announced that Signora Barbarina was ill and could not appear again during the evening. Frederick gave such an angry exclamation, that the queen-mother looked up astonished and questioning. Elizabeth Christine sighed and turned pale. She comprehended the emotion of her husband; guided by the instinct of jealousy, she read the king's alarm and disappointment, which he tried in vain to hide under the mask of scorn.
"It appears to me," said the king, "that the signora is again indulging in one of her proud and sullen moods, and refuses to dance because I have returned. I will not submit to this caprice; I will myself command her to dance."