Time was spent not only in festivities and amusements at Malmaison, but sciences and arts also formed there a serious occupation, and it was Josephine who was the prime mover. She invited to the chateau painters, sculptors, musicians, architects, and savants of every profession, and thus to the Graces she added the Arts for companions.


CHAPTER XXXVII. FLOWERS AND MUSIC.

Above all things, Josephine, in her retreat, devoted her time and leisure hours to botany and to her dear flowers. Alexander Lenoir, the famous architect of that day, had to assist her in enlarging the little castle of Malinaison, and to open more suitable halls for the arts and sciences. Under Josephine’s direction there arose the splendid library-room resting upon columns; it was Josephine who had the beautiful gallery of paintings constructed, and also with remarkable judgment purchased a selection of the finest paintings of the great masters to adorn this gallery. Besides which, she gave to living painters orders of importance, and encouraged them to originate new pieces, that art itself might have a part in the new era of peace and prosperity, which, under the consulate, seemed to spread over France.

Alongside of the paintings Josephine adorned this gallery with the finest antique statues, with a collection of the rarest painted vases of Pompeii, and with ten paintings on cement, memorials of Grecian art, representing the nine Muses and Apollo Mersagetos. These last splendid subjects were a present which the King of Naples had given to Josephine during her residence in Italy. Always attentive not only to promote the arts, but also to help the artists and to increase their reputation, Josephine would buy some new pieces of sculpture, and give them a place in Malmaison. The two most exquisite masterpieces of Canova, “The Dancing-Girl” and “Paris,” were purchased by Josephine at an enormous price for her gallery, whose chief ornament they were.

Her fondness for flowers was such that she spared neither expense nor labor to procure those worthy of Malmaison. She caused also large green-houses and hot-houses to be constructed, the latter suited to the culture of the pineapple and of the peach. In the green-houses were found flowers and plants of every zone, and of all countries. People, knowing her taste for botany, sent her from the most remote places the choicest plants. Even the prince regent of England, the most violent and bitter enemy of the first consul, had high esteem for this taste of Josephine; and during the war, when some French ships, captured by the English, were found to have on board a collection of tropical plants for her, he had them carried with all dispatch to Madame Bonaparte.

Josephine had a lofty aim: she wanted to gather into her hot-houses all the species and families, all the varieties of the tropical plants, and she strove to accomplish this with a perseverance, a zeal, and an earnestness of which no one would have thought her indolent, soft Creole nature capable. To increase her precious collection, she spared neither money nor time, neither supplications nor efforts. All travellers, all seafaring men, who came into her drawing-room were entreated to send plants to Malmaison; and even the secretary of the navy did not fail to give instructions to the captains of vessels sailing to far-distant lands to bring back plants for the wife of the first consul. If it were a matter of purchase, nothing was too expensive, and when, through her fondness for beautiful objects, Josephine’s purse was exhausted, and her means curtailed, she sooner gave up the purchase of a beautiful ornament than that of a rare plant.

The hot-houses of Malmaison caused, therefore, a considerable increase in her expenses, and were a heavy burden to her treasury; and for their sake, when the day of payment came, Josephine had to receive from her husband many severe reproaches, and was forced to shed many a bitter tear. But this, perhaps, made them still dearer; no sooner were the tears dried up and the expenses covered, than Josephine again abandoned herself with renewed zeal to her passion for collecting plants and costly studies in botany, especially since she had succeeded in winning to her person the renowned botanist and learned Bonpland, and in having him appointed superintendent of her gardens and hot-houses. It was Bonpland who cultivated Josephine’s inclination for botany, and exalted her passion into a science. He filled the green-houses of Malmaison with the rarest plants, and taught Josephine at the same time their classifications and sexes, and she quickly proved herself to be a zealous and tractable pupil. She soon learned the names of the plants, as well as their family names, as classified by the naturalists; she became acquainted with their origin and their virtues, and was extremely sad and dejected when, in one of her families, a single species was wanting. But what a joy when this gap was filled! No price was too exorbitant, then, to procure the missing species; and one day she paid for a small, insignificant plant from Chili the high price of three thousand francs, filling Bonpland with ecstasy, but the emperor with deep wrath as soon as he heard it. [Footnote: Avrillon, “Memoires sur l’Imperatrice Josephine.”]

Next to botany, it was music which Josephine delighted in and cultivated. Since the cares and the numerous relations of her diversified life claimed so much of her time, she had abandoned the exercises of music; and it was only at the hour of unusual serenity of mind, or of more lively recollections of the past, that she was heard singing softly one of the songs of her own native isle, even as Bonaparte himself, when he was meditating and deciding about some new campaign, would betray the drift of his thoughts by singing louder and louder the favorite melody of the day, Marlborough s’en va-t-en guerre. But Josephine had the satisfaction that Hortense was not only an excellent performer on the piano and the harp, but that she could also write original compositions, whose softness and harmonious combinations made them popular throughout France. Another satisfaction was, that Eugene sang, in a fine clear voice, with great talent, and that frequently he would by his excellent singing draw even the first consul into loud expressions of admiration.