The sun beamed upon the pools of blood which flowed through the streets of Paris, and packs of ferocious dogs in large numbers lay in the streets, and fed upon this blood, which imparted to these once tamed creatures their natural wildness. The sun beamed on the scaffold, which, like a threatening monster, lifted itself upon the Place de la Revolution, and the sun beamed upon the horrible axe, which every day out off so many noble heads, and ever glittering, ever menacing, rose up from the midst of blood and death.
The sun also shone upon the day in which Marie Antoinette, like her husband, ascended the scaffold, to rest at last in the grave from all her dishonor and from the agonies of the last years.
This day was the 16th of October, 1793. For the last four months, Marie Antoinette had longed for this day as for a long-expected bliss; four months ago she had been led from the prison of the Temple into the Conciergerie, and she knew that the prisoners of the Conciergerie only left it to obtain the freedom which men do not give, but which God gives to the suffering ones, the freedom of death.
Marie Antoinette longed for this liberty, and for this deliverance of death. How distant behind were the days of happiness, of joyous youth, far behind in infinite legendary distance! How long since this tall, grave figure, with its proud and yet affable countenance, had lost all similarity to the charming Queen Marie Antoinette, around whom had fluttered the genii of beauty, of youth, of love, of happiness; who once in Trianon had represented the idyl of a pastoral queen; who, in the exuberance of joy, had visited in disguise the public opera-ball; who imagined herself so secure amid the French people as to believe she could dispense with the protection of “Madame Etiquette;” who then was applauded by all France with jubilant acclamations, and who now was persecuted with mad anger!
No, the queen of that day, Marie Antoinette, who, in the golden halls of Versailles and of the Tuileries, received the homage of all France, and who, with smiling grace and face radiant with happiness, responded to all this homage; she had no resemblance with Louis Capet’s widow, who now stands before the tribunal of the revolution, and gravely, firmly gives her answers to the proposed questions.
She has also made her toilet for this day; but how different is this toilet of the Widow Capet from that which once Marie Antoinette had worn to be admired!
Then could Marie Antoinette, the frivolous, fortunate daughter of bliss, shut herself up in her boudoir for long hours with her confidante the milliner, Madame Bertier, to devise some new ball-dress, some new fichu, some new ornament for her robes; then could Leonard, for this queen with her wondrous blond hair, tax all the wealth of his science and of his imagination; to invent continually new coiffures and new head-dresses wherewith to adorn the beautiful head of the Queen Marie Antoinette, on whose towering curls clustered tufts of white plumes; or else diminutive men-of-war unfurled the net-work of their sails; or else, for variety’s sake, on that royal head was arranged a garden, a parterre adorned with flowers and fruits, with butterflies and birds of paradise.
The Widow Capet needs no milliner now; she needs no friseur now for her toilette. Her tall, slim figure is draped in a black woollen dress, which the republic at her request has granted her to mourn her beheaded husband; her neck and shoulders, once the admiration of France, are now covered with a white muslin kerchief, which in pity Bault, her attendant at the jail, has given her. Her hair is uncovered, and falls in long natural curls on either side of her transparent, blanched cheeks. This hair needs no powder now; the long sleepless nights, the anxious days, have covered it with their powder forever, and the thirty-eight-year-old widow of Louis Capet wears on her head the gray hairs of a seventy-year-old woman.
In this toilet, Marie Antoinette stands before the tribunal of the revolution from the 6th to the 13th day of October. There is nothing royal about her, nothing but her look and the proud attitude of her figure.
And the people who fill the galleries in closely-packed masses, and who weary not to gaze on the queen in her humiliation, in her toilet of anguish, the people claim constantly that Marie Antoinette will rise from her rush-woven seat; that she will allow herself to be stared at by these masses of people, whom curiosity and not compassion have brought there.