The chorus was at an end, and Laura Farinelli had the first aria to sing. Anna Prickerin could have murdered her for this. The Italian, in the full consciousness of her power, returned Anna's scorn with a half-mocking, half-contemptuous smile; she then fixed her great, piercing eyes upon the music, and began to sing.

Anna could have cried aloud in her rage, for she saw that the king was well pleased: he nodded his head, and a gay smile overspread his features; she saw that the whole court circle made up enchanted faces immediately, and that even Pollnitz assumed an entirely happy and enthusiastic mien. The Farinelli saw all this, and the royal applause stimulated her; her full, glorious voice floated and warbled in the artistic "Fioritures" and "Roulades," then dreamed itself away in soft, melodious tones; again it rose into the loftiest regions of sound, and was again almost lost in the simple, touching melodies of love.

"Delicious! superb!" said the king, aloud, as Farinelli concluded.

"Exalted! godlike!" cried Pollnitz; and now, as the royal sign had been given, the whole court dared to follow the example, and to utter light and repressed murmurs of wonder and applause.

Anna felt that she turned pale; her feet trembled; she could have murdered the Italian with her own hands! this proud Farinelli, who at this moment looked toward her with a questioning and derisive glance; and her eyes seemed to say, "Will you yet dare to sing?"

But Anna had the proud courage to dare. She said to herself, "I shall triumph over her; her voice is as thin as a thread, and as sharp as a fine needle, while mine is full and powerful, and rolls like an organ; and as for her 'Fioritures,' I understand them as well as she."

With this conviction she took the notes in her hand, and waited for the moment when the "Ritornelle" should be ended; she returned with a quiet smile the anxious look which her teacher, Quantz, fixed upon her.

The "Ritornelle" was ended. Anna began her song; her voice swelled loudly and powerfully, far above the orchestra, but the king was dull and immovable; he gave not the slightest token of applause. Anna saw this, and her voice, which had not trembled with fear, now trembled with rage; she was resolved to awake the astonishment of the king by the strength and power of her voice; she would compel him to applaud! She gathered together the whole strength of her voice and made so powerful an effort that her poor chest seemed about to burst asunder; a wild, discordant strain rose stunningly upon the air, and now she had indeed the triumph to see that the king laughed! Yes, the king laughed! but not with the same smile with which he greeted Farinelli, but in mockery and contempt. He turned to Pollnitz, and said:

"What is the name of this woman who roars so horribly?"

Pollnitz shrugged his shoulders; he had a kind of feeling as if that moment his creditors had seized him by the throat.