She now entered the conservatory at the foot of the garden, which had been converted into a beautiful and charming saloon, for the exclusive use of the queen and her maids of honor. There were artificial arbors of blooming myrtle and orange, in which luxurious little sofas invited to repose; grottoes of stone had been constructed, in the crevices of which rare mountain plants were growing. There were little fountains which murmured and flashed pleasantly, and diffused an agreeable coolness throughout the atmosphere. Laura seated herself in one of the arbors, which was covered with myrtle, and, in a reclining position, her head resting on the trunk of an aged laurel-tree, which formed part of the framework of the arbor, she closed her eyes that she might see nothing but him.
It was a lovely picture, the beautiful and noble countenance of this young girl, enclosed as it were in a frame of living myrtle; her delicate but full and maidenly figure reclining against the trunk of the tree, to which the chaste and timid love of a virgin had once given life. She also was a Daphne, fleeing from her own desires, fleeing from the sweetly-alluring voice of her lover, who, to her, was the god of beauty and of grace, the god of learning and the arts—her Apollo, whom she adored and believed in, whom she feared, and from whom she fled like Daphne, because she loved him. For a woman flees only from him whom she loves; she fears him only who is dangerous, not because his words of tenderness and flattery are alluring, but because her own heart pleads for him.
Laura was still sitting in the arbor, in a dreamy reverie. His image filled her thoughts; her love was prayer, her prayer love. Her hands lay folded in her lap; a sweet, dreamy smile played about her lips, and from under her closed eyelids a few tears were slowly rolling down her soft, rosy cheeks. She had been praying to God to give her strength to conquer her own heart, and to bear, without murmuring and without betraying herself, the sorrow, the anger, and even the indifference of the prince. Still she felt that her heart would break if he should desert and forget her. An alluring voice whispered that it would be a more blissful end to die, after an hour of ecstatic and intoxicating happiness, than to renounce his love, and still die.
But the chaste Laura did not wish to hear this voice; she would drown it with her prayers; and still, even while she prayed, she thought how great and sublime a happiness it would be to kiss the lips of her beloved, to whisper in his ear the long-concealed, long-buried secret of her love. And then his kiss still on her lips, and in the sunshine of his eyes, to fall down and die!—exchanging heaven for heaven; redeeming bliss with bliss. And sweeter dreams and more painful fantasies came over her; heavier and heavier sank her eyelids; a weight of sorrow rested on her heart, and made it weary unto death; until at the last, like the disciples on the Mount, she slept for very sorrow.
The silence was profound. Suddenly stealthy footsteps could be heard, and the figure of a man appeared at the entrance of the grotto. Cautiously he stepped forward, and cast an inquiring glance through the trailing vines which overhung the grotto, to the young girl who still slumbered, reclining on the trunk of the laurel-tree. It was Fritz Wendel, the gardener of Rheinsberg. Queen Sophia Dorothea had desired to have her greenhouses and flower-beds arranged in the style of those at Rheinsberg. And, by command of the young king, several of the most expert gardeners of Rheinsberg had been sent to Berlin to superintend this arrangement in the garden of Monbijou. Fortune had favored the young gardener, and had again brought him near her he loved. For the little maid of honor, Louise von Schwerin, was not only the favorite of Queen Elizabeth, but Queen Sophia Dorothea also loved this saucy and sprightly young girl, who, because she was a child, and as such was excusable, was allowed to break in upon court etiquette with her merry laughter, and to introduce an element of freshness and vivacity into the stiff forms of court life. Moreover, by her thoughtless and presumptuous behavior at Rheinsberg, she had lost favor with the young couple who now reigned in Prussia. Queen Elizabeth could not forget that it was through Louise she had learned the name of her happy rival. And the king was angry with her, because, through her, the secret of his verses to Madame von Morien had been discovered. Louise von Schwerin was rarely with Queen Elizabeth. Sophia Dorothea, however, kept this young girl near her person for whole days. Her childish ways amused the queen, and her merry pranks drove the stiff and formal mistress of ceremonies, and the grave and stately cavaliers and ladies of the court, to despair. And the little maid of honor came to the queen willingly, for Monbijou had for her a great charm since the handsome gardener, Fritz Wendel, had been there. The romance with this young man had not yet come to an end; this secret little love affair had a peculiar charm for the young girl; and as no other admirer had been found for the little Louise, she for the present was very well pleased with the adoration of the young gardener, to whom she was not the "little Louise," but the bewitching fairy, the beautiful goddess. It was Fritz Wendel who appeared at the entrance of the grotto, and looked anxiously toward the sleeping Laura. He had been occupied in arranging the plants and flowers in this conservatory, which had been confided to his especial care. As the queen never entered the garden at this time, this hour had been set apart for his labors.
In the midst of his occupation he was interrupted by the entrance of Laura von Pannewitz, and had hastily retired to the grotto, intending to remain concealed until the lady should have left the conservatory. From his hiding-place, concealed by the dense Indian vines, he could see the myrtle arbor in which the beautiful Laura reposed; and now, seeing that she slept, he advanced slowly and cautiously from the grotto. He listened attentively to her slow and regular breathing—yes, she really slept; he might therefore stealthily leave the saloon.
"Ah, if it were she!" he murmured; "if it were she! I would not leave here so quietly. I would find courage to fall down at her feet and to clasp her to my arms, while pressing my lips to hers, to suppress her cry of terror. But this lady," said he, almost disdainfully, turning to the sleeping Laura, "is so little like her—that she is—"
The words died on his lips, and he hastily retreated to the entrance of the grotto. He thought he heard footsteps approaching the conservatory. The door of the vestibule creaked on its hinges, and again—Fritz Wendel slipped hastily into the grotto, and concealed himself behind the dense vines.
On the threshold of the saloon stood a young man, who looked searchingly around. His tall and graceful figure was clad in the uniform of the guards, which displayed his well-knit form to great advantage. The star on his breast, and the crape which he wore on his arm, announced a prince of the royal house; his beautifully-formed and handsome features wore an expression of almost effeminate tenderness. The glance of his large blue eyes was so soft and mild, that those who observed him long, were involuntarily touched with an inexplicable feeling of pity for this noble-looking youth. His broad brow showed so much spirit and determination that it was evident he was not always gentle and yielding, but had the courage and strength to follow his own will if necessary.
It was Prince Augustus William, the favorite of the deceased king, on whose account the elder brother Frederick had suffered so much, because the king had endeavored to establish the former as his successor to the throne in the place of his first-born.[11]