“And you forgot me, Carlo? you did not let me know where you were? Five years after, when I was engaged in Florence as a singer, I learned what had become of you. I loved you always, Carlo; but what hope had I ever to tell you so? we were so far away from each other, and poverty separated us so widely. I must first become rich, you must make your career. Only then might we hope to belong to each other. I waited and was silent.”
“You waited and were silent till you forgot me,” said Ranuzi, playing carelessly with her long, soft curls; “and, having forgotten me, you discovered that Signer Taliazuchi was a tolerably pretty fellow, whom it was quite possible to love.”
“Taliazuchi understood how to flatter my vanity,” said she, gloomily; “he wrote beautiful and glowing poems in my praise, which were printed and read not only in Florence, but throughout all Italy. When he declared his love and pleaded for my hand, I thought, if I refused him, he would persecute me and hate me; that mockery and ridicule would take the place of the enthusiastic hymns in my praise, with which Italy then resounded. I was too ambitious to submit to this, and had not the courage to refuse him, so I became his wife, and in becoming so, I abhorred him, and I swore to make him atone for having forced me to become so.”
“But this force consisted only in hymns of praise and favorable criticisms,” said Ranuzi, quietly.
“I have kept my oath,” said Marietta; “I have made him atone for what he has done, and I have often thought that, when afterward compelled to write poems in my favor, he cursed me in his heart; he would gladly have crushed me by his criticisms, but that my fame was a fountain of gold for him, which he dared not exhaust or dry up. But my voice had been injured by too much straining, and a veil soon fell upon it. I could but regard it as great good fortune when Count Algarotti proposed to me to take the second place as singer in Berlin; this promised to be more profitable, as the count carelessly offered Taliazuchi a place in the opera troupe as writer. So I left my beautiful Italy; I left you to amass gold in this cold north. And now, I no longer repent; I rejoice! I have found you again—you, the beloved of my youth—you, my youth itself. Oh, Heaven! never will I forget the day when I saw you passing. I knew you in spite of the uniform, in spite of the many years which had passed since we met. I knew you; and not my lips only, but my heart, uttered that loud cry which caused you to look up, my Carlo. And now you recognized me and stretched your hands out to me, and I would have sprung to you from the window, had not Taliazuchi held me back. I cried out, ‘It is Ranuzi! it is Carlo! I must, I will fly to him,’ when the door opened and you entered and I saw you, my own beloved; I heard your dear voice, and never did one of God’s poor creatures fall into a happier insensibility than I in that rapturous moment.”
“And Taliazuchi stood by and smiled!” said Ranuzi, laughing; “it was truly a pretty scene for an opera writer. He, no doubt, thought so, and wished to take note of it, as he left the room when you awaked to consciousness.”
“Since that time, I am only awake when in your presence,” said Marietta, passionately. “When you are not near me, I sleep. You are the sun which rouses me to life. When you leave me, it is night—dark night, and dark, gloomy thoughts steal over me.”
“What thoughts, Marietta?” said he, placing his hand under her chin, and raising her head gently.
She looked up at him with a curious, dreamy smile, but was silent.
“Well, what thoughts have you when I am not with you?” he repeated.