Mohammed looked up and bowed his head in awe before the monster image that stood before him. He saw a human face and a mighty figure towering before him in gigantic proportions. Yes, it was a human countenance! From out those eyes, which seemed to compass a whole world within their deep hollows, the grandeur and sublimity of the human mind appeared to speak to him. What majestic thought was reflected in that massive forehead? The eloquent mouth seemed to announce the grand mystery of the universe. The whole mighty countenance seemed to contain a heaven of sublime peace, and to be radiant with a happiness unknown to the human breast on earth, for man has suffered and suffers. Doubt, anxiety, care, and misery, have sojourned in every mortal breast; but this countenance, that towers like a mountain in its divine majesty, knows nothing of human doubt and suffering. Its face is radiant with divine, eternal tranquillity—with the peace of the universe.
"How grand, how sublime!" murmured Mohammed, gazing fixedly at the colossal image that has for thousands of years looked on man, and smiled on him from out the depths of its unfathomable eyes. The sphinx has looked calmly down upon generation after generation, upon men of every faith and religion, and has seen them pass away. Heathens have become Christians, Jews, Mohammedans, and the latter in their turn have become converted to other faiths, and change upon change has taken place. The sphinx has looked down upon all this! itself divine, unchangeable in the midst of all that has passed and passes away.
"See," murmured Butheita, "this is the Queen of the Desert. She is the holy sphinx, before whom men and women have fallen in the dust for thousands of years, and before whom kings and emperors prostrate themselves to this day. Thus spoke the scha-er whom I heard when with my father in Tantah a short time since: `He who approaches the protecting goddess of mankind must fall down in the dust before her, and worship Allah and the saints.'
"Kneel down, my dromedary, kneel down, my Alpha!" and she draws in her reins, repeating the words in imperious tones. The animal understands her, and sinks gravely upon its knees. Butheita bounds down from her seat with the lightness of the gazelle, and bows low before the sphinx, her arms crossed on her breast.
From the back of the dromedary, where he lies bound, her prisoner looks down with admiration upon the lovely girlish figure that skips lightly across the sand to the foot of the godlike figure. How small she appears beside the mighty image, like a flower blooming at its feet.
Butheita kneels down before the sphinx and murmurs a prayer for protection for herself and father, for the tent in which they dwell, for the dromedary, and for the goats; and finally also for the stranger whom she is about to lead to her tent. "Grant, 0 Allah, that I may be mild, and that he may not feel his fetters too severely! And you, O holy goddess of the desert, grant that Butheita's heart may remain pure and strong, and that she may be enabled to keep the promise made to her father!"
As she murmurs these words a slight tremor possessed itself of her delicate figure, and piously and timidly she looks up into the illimitable, unfathomable eyes of the sphinx, that gaze out upon the whole world. Then she rises and smilingly salutes once more with her little brown hand the Queen of the Desert, and, springing lightly upon the back of her dromedary, grasps the reins.
Butheita's countenance now wears a serious expression. It seems she has brought solemn thoughts with her from the goddess of the desert, and from time to time she casts a timid glance at the prisoner, who lies bound before her. The dromedary moves on at a uniform speed. Those it is bearing on ward speak but little. Butheita's heart is oppressed; the sarechsme, Mohammed Ali, is thoughtful and grave.
Once Butheita raises her arm and points to some towering objects defined sharply against the sky in the distance.
"See, stranger, see; those are the grand monuments of our kings, the Pharaohs, the pyramids, and there lies Sakkara, where the graves of the holy oxen are to be seen. We are almost at our journey's end. There lies the village of Petresin. Its inhabitants still sleep, and the doors of the huts are closed: they do not see us. That is well, that is necessary; my father said no one must know that we are taking you away a prisoner. Do you see that little spot on the verge of the dessert? That is my father's tent."