"And what does this picture represent?" asked Napoleon, pointing to an engraving by the side of the above-mentioned painting.
"Sire," said the castellan, in confusion, "it is a copper-plate, representing the king's tomb. It does not properly belong here, but has been placed here temporarily. The artist sent it hither with the request to place it somewhere in Sans-souci, and I hung it up in this place until my master disposes of it in some other way."
"But what about this one?" asked the emperor, whose piercing eyes were fixed on another engraving. "There is the tomb of Frederick; two men, in full uniform, are standing by its side; a beautiful lady is with them, and all three are raising their hands in an odd manner. Ah, ah, now I comprehend: that is last year's scene, when the Emperor Alexander took leave of the king and queen at the grave of Frederick the Great, and swore eternal friendship to them as well as eternal enmity to France? That is what this engraving represents, I suppose?"
"Yes, sire, it is," said the castellan, timidly.
Napoleon, with a flashing glance, called his marshals to his side. "Behold there, gentlemen, one of those theatrical scenes with which people here in Prussia were declaiming against me, while I was silent, but arming against them," said he with a sneer. "If the King of Prussia does not fulfil the other oaths he has taken more faithfully than this one, I pity his people; but he has incurred the retribution of the gods, who insist on it that men shall fulfil their promises or they will be crushed. We have seen enough of the place where Frederick the Great passed his life; let us pay a last visit to him in his tomb. Where is it?"
"In Potsdam, sire, in the church close to the palace."
"Very well. Come, gentlemen. And you, castellan, do not forget that the dream has not been altogether fulfilled. The 'fallen star' is only a devouring fire to the kings who bid him defiance, but not to the people who obediently submit." He nodded, stepped from the hall into the anteroom, and then into the vestibule, where the horses were ready for him and his suite.
The old man gazed mournfully after the brilliant cavalcade. "He looks like a marble statue," he muttered, "and I believe that he has no heart in his breast. Every thing in him is made of stone. If he had a heart, he would not dare to come hither and appropriate with a rapacious hand the sacred relics of our great king. I must really go and see whether his commands to that effect will be carried out or not." And he left the hall with youthful alacrity, hastening through the apartments back to the reception-room.
Yes, the commands had been obeyed! The hat and sword, the order of the Black Eagle, and the bell, had disappeared. The old castellan uttered a groan, and proceeded to the sitting-room. His anxious eyes glanced at the spot where the clock had stood. That was also gone. But he heard men talking and laughing in the anteroom, and when he hastened hither, he saw some of the emperor's servants, who, in compliance with the orders of the grand marshal, were engaged in packing up the relics in a basket, and jesting at what they called the strange and insignificant spoils which the emperor had obtained here. The white-haired servants of Frederick the Great were standing close by, and witnessing with tearful eyes the removal of treasures so sacred on account of the reminiscences connected with them. The men were just engaged in placing the clock on the other articles in a basket. The castellan approached hurriedly and placing his hand on the dial, said in a low voice, "Farewell! The eyes of Frederick the Great have often gazed at you. His eyes were also stars, but not fallen stars, and they did not scorch and burn, but rendered the people happy. Farewell, faithful clock, that stopped with grief in the last hour of my king! When his last hour comes, announce it loudly and joyously, and commence going again, for the worst time will be over then, and the fallen star will cease burning. Farewell, and strike that hour as soon as possible!"[15]
Looking even more gloomy than on leaving the city, the emperor rode with his suite again through the deserted, silent streets of Potsdam. The brilliant cavalcade moved as slowly and solemnly as a funeral procession toward the church, the lower vault of which contained the coffin with the remains of Frederick. The sexton and his assistants, bearing the large bunch of keys and a blazing torch, conducted the emperor through the dark and silent corridors, and opened the heavy, clanking iron doors leading into the vault. Napoleon entered. For a moment he stood still on the threshold and gazed in surprise at its plain, gloomy vault, the walls of which were not adorned with trophies, nor with any decorations whatever, and at that humble wooden coffin, which stood so bare and solitary in the middle of the sombre room. Behind him were his marshals, who looked at the strange scene with an air of curiosity and astonishment.