“Sir,” cried Moritz, angrily, “I forbid you to speak of my favorite in so unbecoming a manner in my room!”
“Sir,” cried the other, “you dare not forbid me. I insist upon it that that man is sometimes a brute and an ass! I can penitently acknowledge it to you, dear Moritz, for I am Johann Wolfgang Goethe himself!”
“You, you are Goethe!” shouted Moritz, as he seized him with both hands, drawing him toward the window, and gazing at him with the greatest enthusiasm and delight. “Yes, yes,” he shouted, “you are either Apollo or Goethe! The gods are not so stupid as to return to this miserable world, so you must be Goethe. No other man would dare to sport such a godlike face as you do, you favorite of the gods!”
He then loosed his hold upon the smiling poet, and sprang to the writing-table. “Listen, Apollo,” he cried, with wild joy. “Goethe is here, thy dear son is here! Hurrah! long live Goethe!”
He took the rose-colored little book, and shouting tossed it to the ceiling, and sprang about like a mad bacchant, and finally threw himself upon the carpet, rolling over and over like a frolicksome, good-natured child upon its nurse’s lap.
Goethe laughed aloud. “What are you doing, dear Moritz? What does this mean?” he asked.
Moritz stopped a moment, looking up to Goethe with a face beaming with joy. “I cannot better express my happiness. Language is too feeble—too poor!”
“If that is the case, then I will join you,” said Goethe, throwing himself upon the carpet, rolling and tumbling about. [Footnote: This scene which I relate, and which Teichman also mentions in his “Leaves of Memory of Goethe in Berlin,” has been often related to me by Ludwig Tieck exactly in this manner. Teichman believes it was the poet Burman. But I remember distinctly that Ludwig Tieck told me that it was the eccentric savant, Philip Moritz, with whom Goethe made the acquaintance in this original manner.—The Authoress.]
All at once Moritz jumped up without saying a word, rushed to the wardrobe, dressed himself in modest attire in a few moments, and presented himself to Goethe, who rose from the carpet quite astounded at the sudden metamorphosis. Then he seized his three-cornered hat to go out, when Goethe held him fast.
“You are not going into the street, sir! You forget that your hair is flying about as if unloosed by a divine madness.”