All was bustle and confusion in the Hotel de Soissons. A crowd of workmen filled its halls; some on ladders, regilding walls and ceilings; some on their knees waxing the inlaid floors: and others occupied in removing the coverings, and dusting the satin cushions of the rich furniture of the state apartments. The first upholsterers in Paris had been summoned to the work of preparation, and the general-in-chief of the gilders stood in their midst, giving orders to his staff, and sending off detachments for special service. He held in his hand a roll of paper resembling a marshal's baton, with which he assigned their posts to his men. Some of his subalterns approached, to ask in what style the walls of the reception-rooms were to be decorated.
"I must see the Prince of Savoy about that," said he, with a flourish. And he took his way for the prince's cabinet. "Announce me to his highness," said he as he entered the antechamber.
"His highness is at home to nobody to-day, sir," replied Conrad.
"He will be at home for me," said the decorator, complacently. "Say to the prince that I desire an interview on business of great moment, connected with the embellishment of the hotel; and without a conference with himself we cannot proceed. I am Monsieur Louis, the master of the masters of decoration."
Conrad, quite awed by the stateliness of Monsieur Louis, went at once to announce him, and returned with a summons for him to enter the cabinet.
Eugene met him with a bright smile of welcome, and asked what he could do to assist Monsieur Louis.
"Your highness," replied monsieur, "my workmen have gilded, waxed, and dusted the apartments, and the important task of decorating them is about to commence. I am here to inquire of your highness what is to be the character of the decorations. Are they to have a significance that betokens Honor, Friendship, Art, or Love?"
Eugene could not repress a smile as he asked whether, for the expression of these various sentiments, there were different styles of decoration.
"Most assuredly," was the pompous reply. "It depends entirely upon the nature of the guest or guests to be entertained. If your highness is to receive a personage of distinction (a king, for example), your decorations must be emblematic of respect. They must consist of laurels, lilies, and banners. If a friend or one of your own noble kinsmen, the decorations have no special significance; we mingle flowers, festoons, and pictures that are not allegorical. If you invite a company of artists, poets, musicians, and the like, the principal decorations surmount the seat of the Maecenas who entertains, and the rest of the apartment is left in simplicity."
"But you spoke of a fourth style," said Eugene, blushing.