“I refused three thousand pounds for that Paul Veronese,” he said, pointing to a picture which I was too ignorant to appreciate.
“Then you, too, love art,” I said. “Of course you will help me.”
“I love the great in art,” he answered. “But I despise the little. And of all things, what I most despise is the wild talk of the aspirant. Rosamund, you are a good girl, a plucky honest girl, but you will never be an artist. Tut, tut! There have not been more than a dozen real artists in the world, and is it likely that you will be the thirteenth? Go and darn your stockings quietly at home, Rosamund, and forget this silly little dream.”
I stamped my foot.
“If there have hitherto been only twelve artists I will make the thirteenth,” I said. “There! I am not afraid. I go and darn stockings! No, I won’t, not while you are alive, Cousin Geoffrey.”
I was angry, and I knew my eyes flashed angrily. I had often been told that my eyes could flash in a very brilliant and even alarming manner, and I was well aware that they had now bestowed a lightning glance of scorn on Cousin Geoffrey.
He was not displeased.
“Oh, what utter nonsense you talk!” he said. “But you are a brave girl, very brave. Why, you are not a bit afraid of me!”
“Afraid?” I said. “What do you mean?”
“Most of my relatives are afraid of me, child. They choose their words carefully; they always call me ‘dear Geoffrey,’ or ‘dear Cousin Geoffrey,’ and they agree with every word I say. It’s awfully monotonous being agreed with, I can tell you. A daring chit like you is a wonderful change for the better. Now, come down-stairs with me. You and I will have tea together. Rosamund, I wish you had a contented soul.”