“You’re a cowardly boy, David, and I’m ashamed of you; come with me this minute.”
CHAPTER XVIII.
OH, FIE! POLLY.
While these events were taking place, and the children in their various ways were preparing check-mate for Aunt Maria Cameron, that good lady was having a by no means unexciting experience of her own. After her housekeeping cares were over, after she had interviewed Mrs. Power, and made Alice thoroughly uncomfortable; after, in short, meaning it all the while for the best, she had succeeded in jarring the whole household machinery to the utmost, it was her custom morning after morning to retire with Scorpion into the seldom used drawing-room, and there, seated comfortably in an old-fashioned arm-chair, with her feet well supported on a large cushion, and the dog on her lap, to devote herself to worsted work. Not crewel work, not church embroidery, not anything which would admit of the use of modern art colors, but genuine, old-fashioned worsted work. Mrs. Cameron delighted in the flaring scarlets, pinks, greens, blues, and mauves of thirty years ago. She admired with all her soul the hard, staring flowers which these colors produced. They looked, she said, substantial and durable. They looked like artificial flowers; nobody could mistake them for the real article, which was occasionally known to be the case with that flimsy, in her opinion, ugly, art embroidery. No, no, Mrs. Cameron would not be smitten by the art craze. “Let nature be nature!” she would say, “and worsted work be worsted work, and don’t let us try to clash the poor things into one, as that wretched art-school is always endeavoring to do.” So each morning Mrs. Cameron plied her worsted needle, and Scorpion slumbered peacefully on her knee. She liked to sit with her back to the light, so that it should fall comfortably on her work, and her own eyes be protected from an extensive and very beautiful view of the south moor.
Mrs. Cameron hated the moor; it gave her, as she expressed it, “the creeps,” and on all occasions she avoided looking at it. On this morning, as usual, she took out her large roll of worsted work, and prepared to ground a huge, impossible arum lily. Her thoughts, however, were not, as usual, with her work. Her cheeks were flushed, and her whole face expressed annoyance and anxiety.
“How I miss even his dear little playful bite!” she said aloud, a big tear falling on her empty lap. “Ah, my Scorpion! why did I love you, but to lose you? How true are the poet’s words:
‘I never loved a dear gazelle.’
Well, I must say it, I seldom came across more wicked, heartless children than the Maybrights and Daisy Rymple. David is really the only one of the bunch worth rearing. Ah, my poor sister! your removal has doubtless spared you many sorrows, for what could you expect of the future of such a family as yours? Now, what is that? This moor is enough to keep anybody’s nerves in a state of tension. What is that awful sound approaching the house?“