"That's as queer a story as I ever heard," here interrupted Jean Malet. "But I can't go to bed, or rest, without hearing more. How did a little maiden like her yonder come by a purse full of gold?"
"I can tell that part," said Joe suddenly. "I can tell that in French, so that my mother and my brother can understand. There is no harm in telling it now, Cecile, for everything seems so wonderful, we must find Lovedy soon."
"But is it not late—is it not late to hear the story to-night?" said Suzanne Malet in a faint voice.
"No, no, my love! What has come to thee, my dear one?" said her husband tenderly. "Most times thou wouldst be eaten up with curiosity. No, no; no bed for me to-night until I get at the meaning of that purse."
Thus encouraged, Joe did tell Cecile's story; he told it well, and with pathos—all about that step-mother and her lost child; all about her solemn dying charge; and then of how he met the children, and their adventures and escapes; and of how in vain they looked for the English girl with the golden hair and eyes of blue, but still of how their faith never failed them; and of how they hoped to see Lovedy in some village in the Pyrenees. All this and more did Joe tell, until his old mother wept over the touching story, and good brother Jean wiped the tears from his own eyes, and everyone seemed moved except Suzanne, who sat with cheeks now flushed—now pale, but motionless and rigid almost as if she did not hear. Afterward she said her boy wanted her, and left the room.
"Suzanne is not well," remarked her husband.
"The sad, sad tale is too much for her, dear impulsive child," remarked the old mother.
But honest Jean Malet shook his head, and owned to himself that for the first time he quite failed to understand his wife.