'On the 4th day morning,' he writes, 'John Audland came with George Fox to the house of John Camm at Cammsgill in Preston Patrick, who with his wife and familie gladly received G.F.'
And now, while they are 'gladly receiving' their guest and waiting till it is time to go down the steep hill to Preston Patrick, let us look back at the farm-house of Cammsgill where they are sitting, and learn something of its history and that of its owners.
It was to Cammsgill that Farmer John Camm had brought home his bride on a late day of summer, thirteen years before the eventful year 1652 of which these stories tell. A wise, prosperous man was good John Camm, one of the most successful 'statesmen' in all the fertile dales round about. So busy had he been developing his farm, and attending to the numerous flocks and herds, that were ever increasing under his skilful management, that time for love-making seemed to have been left out of his life. But at last, when he was well over forty, he found the one woman he had been unconsciously needing through all his prosperous years to make his life round and complete. It was a mellow day of Indian summer when John and Mabel Camm walked up the winding road to Cammsgill for the first time as man and wife. But the golden sunshine that lay on all the burnished riches of the well-filled farm-yard was dim compared with the inward sunshine that gladdened the farmer's heart.
Farmer John had made a wise choice, and he knew it. In his eyes nothing was good enough for his wife, not even the home where he had been born, and where his ancestors for generations had lived and died; so Cammsgill had been entirely rebuilt before that golden September day when John and Mabel Camm came home to begin their new life together. The re-building had been done in such solid fashion that part of the farm-house still stands, well-proportioned and serviceable, after nearly three centuries have passed to test it, showing that he who builds for love builds truly and well.
Mabel Camm was a proud woman as she stood at the door of her hillside home and watched the autumn sunlight lighting up her husband's face as he walked across his fields in the valley, or strode, almost with the energetic step of a young man, up the crab-apple bordered track to the farm.
Close at his heels followed his collie, looking up into his master's face with adoring affection. Not only every animal on the farm loved the master, the men-servants and maid-servants also would do anything to please him, for was he not ever mindful of their interests as if they had been his own? In those days each labourer had three or four acres of land as of right. This fostered an independent spirit and made their affection a tribute worth the winning.[8] Later on that same year, when winter came, earlier than its wont, the fells were knee-deep in snow and all the beasts were brought for shelter round the farm to protect them from the snow-drifts and bitter weather on the upland pastures.
Then it was that at nights in the snug farm-house kitchen, after the day's work was done, John Camm and his young wife together carved their initials on the 'brideswain,' a tall oak chest that held the goodly stock of homespun linen and flax brought by Mabel Camm to her new home. John Camm was something of an artist. His was the design of the interlaced initials. All his life he had been a skilful carver with his tools on the winter evenings, and now he took pleasure in showing his bride the right way to use them and how to fashion her strokes aright. Night after night the two heads bent over their task, but to this day it may still be seen at Cammsgill that one of the two artists was less skilful than the other, for Mabel's curves are more angular and without the careless ease of her husband's. What, however, did unskilful fingers matter when the firelight shone upon two happy faces bending over the work close together, aglow with the inner radiance of two thankful hearts?
There were other uses for the brideswain the following summer. The fair white sheets and pillow-cases were moved to an under-shelf. The upper half of the chest was filled to overflowing with tiny garments fashioned by Mabel's own fingers, skilful indeed at this dainty work. No more woodcarving now, but endless rows of stitchery, tiny tucks and delicate dotting, all ready to welcome the little son who arrived before the summer's close, and completed his parents' joy.
Since that day, a dozen years had slipped away. Now young Thomas Camm was leaving childhood, as he had long left babyhood, behind him. He was a big boy, quick, strong for his age, and bidding fair to be as good a farmer as his father some day.
'Cammsgill was a favourite house with both men and women servants, for Mistress Camm took care that all had their fill of bread, butter, milk, eggs or bacon, and each their three meals. Of the maid-servants, Jane and Dorothy Waugh especially looked on their master as a father, he was so kind and thoughtful of their needs. Indeed no one could walk up the winding gill without meeting with a warm welcome from the owners of the farm-house, and on winter evenings there was many a large "sitting," by aid of the rushlights, in which the neighbours joined, all hands being busy the while with the knitting of caps and jerseys for the Kendal trade.... He and his wife greatly loved to entertain visitors from a distance, especially those who were like-minded with themselves, also looking for "the coming of the day of the Lord,"'[9] for all the household at Cammsgill were of the company of the "Seekers" who met every month at the Chapel of Preston Patrick in the valley below.