Two distinct racial types are thus represented on the monuments, differentiated not only by physical features but also by the method of treating the hair and by dress. Moreover, the one type is characteristic of those rulers whose language was Sumerian, the other represents those whose inscriptions are in the Semitic tongue. Two apparent inconsistencies should here be noted. On the Stele of the Vultures, Eannatum and his soldiers are sculptured with thick hair flowing from beneath their helmets and falling on their shoulders. But they have shaven faces, and, in view of the fact that on the same monument all the dead upon the field of battle and in the burial mounds have shaven heads, like those of the Sumerians assisting at the burial and the sacrificial rites, we may regard the hair of Eannatum and his warriors as wigs, worn like the wigs of the Egyptians, on special occasions and particularly in battle. The other inconsistency arises from the dress worn by Hammurabi on his monuments. This is not the Semitic plaid, but the Sumerian fringed mantle, and we may conjecture that, as he wrote his votive inscriptions in the Sumerian as well as in the Semitic language, so, too, he may have symbolized his rule in Sumer by the adoption of the Sumerian form of dress.
It is natural that upon monuments of the later period from Tello both racial types should be represented. The fragments of sculpture illustrated in Figs. 6 and 7 may possibly belong to the same monument, and, if so, we must assign it to a Semitic king.[39] That on the left represents a file of nude captives with shaven heads and faces, bound neck to neck with the same cord, and their arms tied behind them. On the other fragment both captive and conqueror are bearded. The latter's nose is anything but Semitic, though in figures of such small proportions carved in relief it would perhaps be rash to regard its shape as significant. The treatment of the hair, however, in itself constitutes a sufficiently marked difference in racial custom. Fig. 8 represents a circular support of steatite, around which are seated seven little figures holding tablets on their knees; it is here reproduced on a far smaller scale than the other fragments. The little figure that is best preserved is of unmistakably Semitic type, and wears a curled beard trimmed to a point, and hair that falls on the shoulders in two great twisted tresses; the face of the figure on his left is broken, but the head is clearly shaved. A similar mixture of types upon a single monument occurs on a large fragment of sculpture representing scenes of worship,[40] and also on Sharru-Gi's monument which has been found at Susa.[41]
Fig. 6.—Fig. 7.—Fig. 8.—Examples of sculpture of the later period, from Tello, representing different racial types—Déc., pl. 26, Figs. 10b and 10a; pl. 21, Fig. 5.
At the period from which these sculptures date it is not questioned that the Semites were in occupation of Akkad, and that during certain periods they had already extended their authority over Sumer. It is not surprising, therefore, that at this time both Sumerians and Semites should be represented side by side upon the monuments. When, however, we examine what is undoubtedly one of the earliest sculptured reliefs from Tello the same mixture of racial types is met with.