Legends of Babylon and Egypt in Relation to Hebrew Tradition

by L. W. King

(1) The aspect of Enlil as the Creator of Vegetation is
emphasized in Tablet VII of the Babylonian poem of Creation.
It is significant that his first title, Asara, should be
interpreted as "Bestower of planting", "Founder of sowing",
"Creator of grain and plants", "He who caused the green herb
to spring up" (cf. Seven Tablets, Vol. I, p. 92 f.). These
opening phrases, by which the god is hailed, strike the key-
note of the whole composition. It is true that, as Sukh-kur,
he is "Destroyer of the foe"; but the great majority of the
titles and their Semitic glosses refer to creative
activities, not to the Dragon myth.

Thus the dualism which is so characteristic a feature of the Semitic-Babylonian system, though absent from the earliest Sumerian ideas of Creation, was inherent in the nature of the local rivers, whose varied aspects gave rise to or coloured separate myths. Its presence in the later mythology may be traced as a reflection of political development, at first probably among the warring cities of Sumer, but certainly later in the Semitic triumph at Babylon. It was but to be expected that the conqueror, whether Sumerian or Semite, should represent his own god's victory as the establishment of order out of chaos. But this would be particularly in harmony with the character of the Semitic Babylonians of the First Dynasty, whose genius for method and organization produced alike Hammurabi's Code of Laws and the straight streets of the capital.

We have thus been able to trace the various strands of the Semitic-Babylonian poem of Creation to Sumerian origins; and in the second lecture we arrived at a very similar conclusion with regard to the Semitic-Babylonian Version of the Deluge preserved in the Epic of Gilgamesh. We there saw that the literary structure of the Sumerian Version, in which Creation and Deluge are combined, must have survived under some form into the Neo-Babylonian period, since it was reproduced by Berossus. And we noted the fact that the same arrangement in Genesis did not therefore prove that the Hebrew accounts go back directly to early Sumerian originals. In fact, the structural resemblance presented by Genesis can only be regarded as an additional proof that the Sumerian originals continued to be studied and translated by the Semitic priesthood, although they had long been superseded officially by their later descendants, the Semitic epics. A detailed comparison of the Creation and Deluge narratives in the various versions at once discloses the fact that the connexion between those of the Semitic Babylonians and the Hebrews is far closer and more striking than that which can be traced when the latter are placed beside the Sumerian originals. We may therefore regard it as certain that the Hebrews derived their knowledge of Sumerian tradition, not directly from the Sumerians themselves, but through Semitic channels from Babylon.

It will be unnecessary here to go in detail through the points of resemblance that are admitted to exist between the Hebrew account of Creation in the first chapter of Genesis and that preserved in the "Seven Tablets".(1) It will suffice to emphasize two of them, which gain in significance through our newly acquired knowledge of early Sumerian beliefs. It must be admitted that, on first reading the poem, one is struck more by the differences than by the parallels; but that is due to the polytheistic basis of the poem, which attracts attention when compared with the severe and dignified monotheism of the Hebrew writer. And if allowance be made for the change in theological standpoint, the material points of resemblance are seen to be very marked. The outline or general course of events is the same. In both we have an abyss of waters at the beginning denoted by almost the same Semitic word, the Hebrew tehôm, translated "the deep" in Gen. i. 2, being the equivalent of the Semitic-Babylonian Tiamat, the monster of storm and flood who presents so striking a contrast to the Sumerian primaeval water.(2) The second act of Creation in the Hebrew narrative is that of a "firmament", which divided the waters under it from those above.(3) But this, as we have seen, has no parallel in the early Sumerian conception until it was combined with the Dragon combat in the form in which we find it in the Babylonian poem. There the body of Tiamat is divided by Marduk, and from one half of her he constructs a covering or dome for heaven, that is to say a "firmament", to keep her upper waters in place. These will suffice as text passages, since they serve to point out quite clearly the Semitic source to which all the other detailed points of Hebrew resemblance may be traced.

(1) See Seven Tablets, Vol. I, pp. lxxxi ff., and Skinner,
Genesis, pp. 45 ff.
(2) The invariable use of the Hebrew word tehôm without
the article, except in two passages in the plural, proves
that it is a proper name (cf. Skinner, op. cit., p. 17); and
its correspondence with Tiamat makes the resemblance of
the versions far more significant than if their parallelism
were confined solely to ideas.
(3) Gen. i. 6-8.

In the case of the Deluge traditions, so conclusive a demonstration is not possible, since we have no similar criterion to apply. And on one point, as we saw, the Hebrew Versions preserve an original Sumerian strand of the narrative that was not woven into the Gilgamesh Epic, where there is no parallel to the piety of Noah. But from the detailed description that was given in the second lecture, it will have been noted that the Sumerian account is on the whole far simpler and more primitive than the other versions. It is only in the Babylonian Epic, for example, that the later Hebrew writer finds material from which to construct the ark, while the sweet savour of Ut-napishtim's sacrifice, and possibly his sending forth of the birds, though reproduced in the earlier Hebrew Version, find no parallels in the Sumerian account.(1) As to the general character of the Flood, there is no direct reference to rain in the Sumerian Version, though its presence is probably implied in the storm. The heavy rain of the Babylonian Epic has been increased to forty days of rain in the earlier Hebrew Version, which would be suitable to a country where local rain was the sole cause of flood. But the later Hebrew writer's addition of "the fountains of the deep" to "the windows of heaven" certainly suggests a more intimate knowledge of Mesopotamia, where some contributary cause other than local rain must be sought for the sudden and overwhelming catastrophes of which the rivers are capable.

(1) For detailed lists of the points of agreement presented
by the Hebrew Versions J and P to the account in the
Gilgamesh Epic, see Skinner, op. cit., p. 177 f.; Driver,
Genesis, p. 106 f.; and Gordon, Early Traditions of
Genesis (1907), pp. 38 ff.

Thus, viewed from a purely literary standpoint, we are now enabled to trace back to a primitive age the ancestry of the traditions, which, under a very different aspect, eventually found their way into Hebrew literature. And in the process we may note the changes they underwent as they passed from one race to another. The result of such literary analysis and comparison, so far from discrediting the narratives in Genesis, throws into still stronger relief the moral grandeur of the Hebrew text.

We come then to the question, at what periods and by what process did the Hebrews become acquainted with Babylonian ideas? The tendency of the purely literary school of critics has been to explain the process by the direct use of Babylonian documents wholly within exilic times. If the Creation and Deluge narratives stood alone, a case might perhaps be made out for confining Babylonian influence to this late period. It is true that during the Captivity the Jews were directly exposed to such influence. They had the life and civilization of their captors immediately before their eyes, and it would have been only natural for the more learned among the Hebrew scribes and priests to interest themselves in the ancient literature of their new home. And any previous familiarity with the myths of Babylonia would undoubtedly have been increased by actual residence in the country. We may perhaps see a result of such acquaintance with Babylonian literature, after Jehoiachin's deportation, in an interesting literary parallel that has been pointed out between Ezek. xiv. 12-20 and a speech in the Babylonian account of the Deluge in the Gilgamesh Epic, XI, ii. 180-194.(1) The passage in Ezekiel occurs within chaps. i-xxiv, which correspond to the prophet's first period and consist in the main of his utterances in exile before the fall of Jerusalem. It forms, in fact, the introduction to the prophet's announcement of the coming of "four sore judgements upon Jerusalem", from which there "shall be left a remnant that shall be carried forth".(2) But in consequence, here and there, of traces of a later point of view, it is generally admitted that many of the chapters in this section may have been considerably amplified and altered by Ezekiel himself in the course of writing. And if we may regard the literary parallel that has been pointed out as anything more than fortuitous, it is open to us to assume that chap. xiv may have been worked up by Ezekiel many years after his prophetic call at Tel-abib.

(1) See Daiches, "Ezekiel and the Babylonian Account of the
Deluge", in the Jewish Quarterly Review, April 1905. It
has of course long been recognized that Ezekiel, in
announcing the punishment of the king of Egypt in xxxii. 2
ff., uses imagery which strongly recalls the Babylonian
Creation myth. For he compares Pharaoh to a sea-monster over
whom Yahweh will throw his net (as Marduk had thrown his
over Tiamat); cf. Loisy, Les mythes babyloniens et les
premiers chaptires de la Genèse (1901), p. 87.
(2) Ezek. xiv. 21 f.