The dominant glory of the Moselle region is Trèves. No town or city near has the smallest affinity with its peculiar character, and all seem modern and prosaic compared with its well-preserved tale of antiquity. "Nowhere north of the Alps," we are told in weary iteration, "exist such magnificent Roman remains." It is generally on the obvious that the unimaginative English parson takes upon himself to comment. We listen submissively to much school-book lore as to "Claudius" and the "fourth century" and the "residence of Roman Emperors," but when it rains Bishops and Archbishops and Electors we fly before them. For, after all, what signifies the paltry learning of a dry-as-dust dominie compared with the vivid tales these grand old ruins tell if suffered to speak for themselves? In Trèves people need to absorb silently, and then assimilate undisturbed by weary chatter. One looks at the tender turquoise sky, flecked with luminous clouds; at the fine horizontal distance, with its sense of breadth and breathing-space; at the low hills covered with vines; at the cornfields, and orchards, and river—and we wonder what the old Romans thought of it all, and reflect on the strangeness of life that a people so remote from our times should have lived and loved and died, as we live and love and die to-day. Whether Trèves lie on the right or left bank of the Moselle is immaterial except to the tiresomely precise or to those who pin their faith to guide-books and such shallow teachers. There is a more valuable lesson to be learnt of the place than that of its exact situation; and no Baedeker or Murray can help you to appreciate Trèves as quiet communings with your own intelligence will. If it so happens that you have none to commune with, then God help you—and yours!

In Trèves you have not far to go in search of the Romans. Their magnum opus confronts you boldly at the very threshold of the town. Solid and massive and symmetrical, it stands a pregnant lesson to the jerry-builders of to-day. There is little affinity indeed between the building methods of the ancient Romans and those of their trade whose sorry, pitiable record exists in the Quartiere Nuovo of Rome. About the Porta Nigra is no trace of stucco or rubble. The huge blocks of which it is built stand one upon the other clean-hewn and square. No signs of mortar are left, but we see marks of iron or brass clamps. Its colour is a warm, deep red, softened here and there by streaks of green.

The Porta Nigra has passed through strange phases since first it started in life as a city gate. Obviously built for purposes of fortification, and equipped with towers of defence, its second phase was an ecclesiastical one, and the "spears" were indeed turned into "pruning-hooks" when the bellicose propugnaculum found itself transformed into a church.

"Last scene of all,
That ends this strange, eventful history."

The gate was in 1876 finally cleared of priests and altars, and allowed to revert to its original form.

Not far from the Porta Nigra stands the Cathedral, one of the oldest in Germany, archæologically interesting, inasmuch as it owes its inception to the Romans. The Basilica, built by Valentinian as a court of law, is clearly traceable in the present cathedral, and one reads a strange tale of Romans and Franks in the sandstone and limestone and brick of its walls. Here is treasured the famous Heilige Rock, or holy coat worn by our Saviour when a boy. At rare intervals this garment is exhibited to the faithful, who come from all countries to gaze reverently upon it. Who that has seen can forget the last exposition in 1891? Never before or since has there been anything more pathetic than the sight of the long rows of tired, haggard, perspiring, praying pilgrims, who stood patiently for hours in the broiling August sun, moving only when permitted, and then at a snail's pace, towards their Mecca. Plebeian though the majority of faces were, their devotional, solemn, rapt expressions for the time being ennobled and beautified them.

Trèves during that time, however, was by no means the reposeful, dignified city it is to-day. Its buildings were defaced with flags and banners, its streets blocked with pilgrims, and the road leading from the station to the town was lined with booths, whose owners disposed quickly of such delicacies as Napfkuchen, Streusel-Kuchen, and Apfelwein. Piety and profit went everywhere hand-in-hand, and a roaring trade was done in rosaries and bénitiers, the last made of the blue pottery of the country, and stamped with a representation of Leo XIII. against a background of Domkirche.

But to be thoroughly in harmony with Trèves one must be Pagan and Roman rather than Christian and German. Indeed, one feels in sympathy with the Isle of Wight farmer who after he had found a Roman villa on his farm gave up the bucolic and inglorious occupation of growing turnips and potatoes, and could talk of nothing meaner than hypocausts and thermae. So we, like the farmer, slight the really beautiful Early Gothic "Liebfrauenkirche" and roam and muse for hours about the ruins of the Amphitheatre, the Roman Baths, the Roman Palace and the Basilica.

LONDON: PRINTED BY WILLIAM CLOWES AND SONS, LIMITED,
DUKE STREET, STAMFORD STREET, S.E., AND GREAT WINDMILL STREET, W.

Transcriber's Notes