But, this first pre-Adamic rudimental humanity was not wholly extirpated by the subsequent Adamic race. Representatives of them still remained throughout the world, and are yet existing, though these half-souled specimens of an early, inferior humanity, are gradually dying out and disappearing before the advance of the higher Adamic race, the destined lords and rulers of earth.
In Ireland the inferior primitive tribes became the bond-slaves for the higher humanity—the Tuatha-de-Dananns and Milesians that succeeded them; and specimens of this slave people can still be seen in remote districts in Ireland along the coast-line of the West, and in the secluded mountain passes. They are held in much contempt by the descendants of the nobler race, and are stigmatized even now as “the slave people,” and the bondsmen of their forefathers.
It seems, then, an incontrovertible truth that the early inhabitants of Ireland, as of all Europe—in fact, the whole pre-Adamite humanity of the world—lived and died throughout how many ages we know not in a state little higher than the animal creation, without the knowledge of even the simplest elements of civilization, which all the Adamic races possess, from their higher organization and intellect, and which they seem to have had from the date of their earliest appearance on earth.
The clothing of the primitive man was of the skins of animals fastened with thongs, or tunics made of rushes, such as were found some years ago in Spain, on the skeleton forms of pre-historic date buried in a cave of the Sierra Nevada. Their only weapons and tools were of stone, manufactured by another stone. Their ornaments were of shells and fish-bones; and their dwellings such only as instinct has suggested to all animals.
There are abundant evidences in our National Museum to prove the existence of this primary stratum of barbarism underlying all the culture of modern Europe; and we might almost hesitate to link so low a type of humanity with our own if we did not recognize in it also the characteristic instinct of man, entirely wanting in the animals—an irrepressible tendency towards progression and improvement, and, above all, to ornamentation, which is a distinctive human quality.
THE ANTIQUITIES OF IRELAND.
We commence the study of this early race with the first rude stone implement with which a savage man killed an animal scarcely more savage. Then, simple designs of ornamentation are discernible—the first twilight dawning of soul through matter. The rude stone implement becomes decorated, more symmetrical in form, more adapted to its uses. There is evidence of a growing sense of beauty, and heightened reasoning powers. After the introduction of metals, we trace the original stone forms reproduced first in simple unalloyed copper, afterwards in that perfect and beautiful bronze of a ruddy yellow, like gold, which no modern bronze has ever equalled. There is no violent disruption of ideas, as if the new incoming race had entirely vanquished and crushed the earlier and elder; but on the contrary, a gradual and continuous development of the original ideas of this elder race itself, always co-working with whatever new influences may have come to it from without.
Many writers have held the belief that the first colonists of Ireland were a highly-civilized people, clothed with Tyrian silk, fine linen of Egypt, and adorned with costly ornaments of gold. But stern facts refute this theory. The same primitive race who used only stone weapons were unacquainted with the art of weaving, and knew of no other garment than the untanned skin of the animal they killed for food. Theorists might still, however, argue, doubt, and disbelieve, if one of the ancient race had not himself risen, as it were, from the grave, after a sleep of thousands of years, to give his testimony concerning his people. In 1821 this primitive Irishman, clad completely in skins laced with thongs, was found in a peat bog, ten feet below the surface. The teeth, long dark hair and beard, were perfect. Portions of this dress have been preserved in the Museum of the Royal Irish Academy. The material used in sewing was fine gut, and the regularity and closeness of the stitching are most remarkable. Specimens of the antique skin mocassins and skin caps have been also found at various times in the peat bogs, and secured for the Museum, so that we have the dress of the ancient Irishman complete.
Long after this period of barbarism, but still at a time so distant that it is anterior to all historic record, we find that the Irish had attained some knowledge of metals and the art of weaving. The Museum contains numerous highly-finished illustrations of the beautifully-formed, slender, leaf-shaped swords and daggers of bronze, which began gradually to supersede the use of the primitive celt. Many of these swords are of the pure Grecian type, formed apparently on the model of the leaf of the aloe or the agave. One sword found on an ancient battle-field is curved like a Turkish yataghan; and in “The Book of Rights” “curved swords of battle” are frequently referred to. But the specimens of the broad scythe-shaped sword, “which is especially and peculiarly Irish,” are the most numerous, as many as forty-one of these heavy, thick, round-pointed battle-axe swords being in the Museum.