He was already an old man when I first saw him in Izumo,—certainly more than sixty years of age, but looking very much younger. Afterwards I met him in Ōsaka, in Kyōto, and in Kobé. More than once I tried to persuade him to pass the colder months of the winter-season under my roof,—for he possessed an extraordinary knowledge of traditions, and could have been of inestimable service to me in a literary way. But partly because the habit of wandering had become with him a second nature, and partly because of a love of independence as savage as a gipsy’s, I was never able to keep him with me for more than two days at a time.

Every year he used to come to Tōkyō,—usually in the latter part of autumn. Then, for several weeks, he would flit about the city, from district to district, and vanish again. But during these fugitive trips he never failed to visit me; bringing welcome news of Izumo people and places,—bringing also some queer little present, generally of a religious kind, from some famous place of pilgrimage. On these occasions I could get a few hours’ chat with him. Sometimes the talk was of strange things seen or heard during his recent journey; sometimes it turned upon old legends or beliefs; sometimes it was about fortune-telling. The last time we met he told me of an exact Chinese science of divination which he regretted never having been able to learn.

“Any one learned in that science,” he said, “would be able, for example, not only to tell you the exact time at which any post or beam of this house will yield to decay, but even to tell you the direction of the breaking, and all its results. I can best explain what I mean by relating a story.

“The story is about the famous Chinese fortune-teller whom we call in Japan Shōko Setsu, and it is written in the book Baikwa-Shin-Eki, which is a book of divination. While still a very young man, Shōko Setsu obtained a high position by reason of his learning and virtue; but he resigned it and went into solitude that he might give his whole time to study. For years thereafter he lived alone in a hut among the mountains; studying without a fire in winter, and without a fan in summer; writing his thoughts upon the wall of his room—for lack of paper;—and using only a tile for his pillow.

“One day, in the period of greatest summer heat, he found himself overcome by drowsiness; and he lay down to rest, with his tile under his head. Scarcely had he fallen asleep when a rat ran across his face and woke him with a start. Feeling angry, he seized his tile and flung it at the rat; but the rat escaped unhurt, and the tile was broken. Shōko Setsu looked sorrowfully at the fragments of his pillow, and reproached himself for his hastiness. Then suddenly he perceived, upon the freshly exposed clay of the broken tile, some Chinese characters—between the upper and lower surfaces. Thinking this very strange, he picked up the pieces, and carefully examined them. He found that along the line of fracture seventeen characters had been written within the clay before the tile had been baked; and the characters read thus: ‘In the Year of the Hare, in the fourth month, on the seventeenth day, at the Hour of the Serpent, this tile, after serving as a pillow, will be thrown at a rat and broken.’ Now the prediction had really been fulfilled at the Hour of the Serpent on the seventeenth day of the fourth month of the Year of the Hare. Greatly astonished, Shōko Setsu once again looked at the fragments, and discovered the seal and the name of the maker. At once he left his hut, and, taking with him the pieces of the tile, hurried to the neighboring town in search of the tilemaker. He found the tilemaker in the course of the day, showed him the broken tile, and asked him about its history.

“After having carefully examined the shards, the tilemaker said: —‘This tile was made in my house; but the characters in the clay were written by an old man—a fortune-teller,—who asked permission to write upon the tile before it was baked.’ ‘Do you know where he lives?’ asked Shōko Setsu. ‘He used to live,’ the tilemaker answered, ‘not very far from here; and I can show you the way to the house. But I do not know his name.’

“Having been guided to the house, Shōko Setsu presented himself at the entrance, and asked for permission to speak to the old man. A serving-student courteously invited him to enter, and ushered him into an apartment where several young men were at study. As Shōko Setsu took his seat, all the youths saluted him. Then the one who had first addressed him bowed and said: ‘We are grieved to inform you that our master died a few days ago. But we have been waiting for you, because he predicted that you would come to-day to this house, at this very hour. Your name is Shōko Setsu. And our master told us to give you a book which he believed would be of service to you. Here is the book;—please to accept it.’

“Shōko Setsu was not less delighted than surprised; for the book was a manuscript of the rarest and most precious kind,—containing all the secrets of the science of divination. After having thanked the young men, and properly expressed his regret for the death of their teacher, he went back to his hut, and there immediately proceeded to test the worth of the book by consulting its pages in regard to his own fortune. The book suggested to him that on the south side of his dwelling, at a particular spot near one corner of the hut, great luck awaited him. He dug at the place indicated, and found a jar containing gold enough to make him a very wealthy man.”


My old acquaintance left this world as lonesomely as he had lived in it. Last winter, while crossing a mountain-range, he was overtaken by a snowstorm, and lost his way. Many days later he was found standing erect at the foot of a pine, with his little pack strapped to his shoulders: a statue of ice—arms folded and eyes closed as in meditation. Probably, while waiting for the storm to pass, he had yielded to the drowsiness of cold, and the drift had risen over him as he slept. Hearing of this strange death I remembered the old Japanese saying,—Uranaiya minouyé shiradzu: “The fortune-teller knows not his own fate.”