Japan: An Attempt at Interpretation

by Lafcadio Hearn

The custom of junshi represents but one aspect of Japanese loyalty: there were other customs equally, if not even more, significant,—for example, the custom of military suicide, not as junshi, but as a self-inflicted penalty exacted by the traditions of samurai discipline. Against harakiri, as punitive suicide, there was no legislative enactment, for obvious reasons. It would seem that this form of self-destruction was not known to the Japanese in early ages; it may have been introduced from China, with other military customs. The ancient Japanese usually performed suicide by strangulation, as the Nihongi bears witness. It was the military class that established the harakiri as a custom and privilege. Previously, the chiefs of a routed army, or the defenders of a castle taken by storm, would thus end themselves to avoid falling into the enemy's hands,—a custom which continued into the present era. About the close of the fifteenth century, the [287] military custom of permitting any samurai to perform harakiri, instead of subjecting him to the shame of execution, appears to have been generally established. Afterwards it became the recognized duty of a samurai to kill himself at the word of command. All samurai were subject to this disciplinary law, even lords of provinces; and in samurai families, children of both sexes were trained how to perform suicide whenever personal honour or the will of a liege-lord, might require it…. Women, I should observe, did not perform harakiri, but jigai,—that is to say, piercing the throat with a dagger so as to sever the arteries by a single thrust-and-cut movement…. The particulars of the harakiri ceremony have become so well known through Mitford's translation of Japanese texts on the subject, that I need not touch upon them. The important fact to remember is that honour and loyalty required the samurai man or woman to be ready at any moment to perform self-destruction by the sword. As for the warrior, any breach of trust (voluntary or involuntary), failure to execute a difficult mission, a clumsy mistake, and even a look of displeasure from one's liege, were sufficient reasons for harakiri, or, as the aristocrats preferred to call it, by the Chinese term, seppuku. Among the highest class of retainers, it was also a duty to make protest against misconduct on the part of their lord by performing seppuku, when all other means of bringing him to reason had [288] failed,—which heroic custom has been made the subject of several popular dramas founded upon fact. In the case of married women of the samurai class,—directly responsible to their husbands, not to the lord,—jigai was resorted to most often as a means of preserving honour in time of war, though it was sometimes performed merely as a sacrifice of loyalty to the spirit of the husband, after his untimely death.* [*The Japanese moralist Yekken wrote 'A woman has no feudal lord: she must reverence and obey her husband.'] In the case of girls it was not uncommon for other reasons,—samurai maidens often entering into the service of noble households, where the cruelty of intrigue might easily bring about a suicide, or where loyalty to the wife of the lord might exact it. For the samurai maiden in service was bound by loyalty to her mistress not less closely than the warrior to the lord; and the heroines of Japanese feudalism were many.

In the early ages it appears to have been the custom for the wives of officials condemned to death to kill themselves the ancient chronicles are full of examples. But this custom is perhaps to be partly accounted for by the ancient law, which held the household of the offender equally responsible with him for the offence, independently of the facts in the case. However, it was certainly also common enough for a bereaved wife to perform suicide, not through despair, but through the wish to follow her [289] husband into the other world, and there to wait upon him as in life. Instances of female suicide, representing the old ideal of duty to a dead husband, have occurred in recent times. Such suicides are usually performed according to the feudal rules,—the woman robing herself in white for the occasion. At the time of the late war with China there occurred in Tokyo one remarkable suicide of this kind; the victim being the wife of Lieutenant Asada, who had fallen in battle. She was only twenty-one. On hearing of her husband's death, she at once began to make preparations for her own,—writing letters of farewell to her relatives, putting her affairs in order, and carefully cleaning the house, according to old-time rule. Thereafter she donned her death-robe; laid mattings down opposite to the alcove in the guest-room; placed her husband's portrait in the alcove, and set offerings before it. When everything had been arranged, she seated herself before the portrait, took up her dagger, and with a single skilful thrust divided the arteries of her throat.

Besides the duty of suicide for the sake of preserving honour, there was also, for the samurai woman, the duty of suicide as a moral protest. I have already said that among the highest class of retainers it was thought a moral duty to perform harakiri as a remonstrance against shameless conduct on the part of one's lord, when all other means of persuasion [290] had been tried in vain. Among samurai women—taught to consider their husbands as their lords, in the feudal meaning of the term—it was held a moral obligation to perform jigai, by way of protest, against disgraceful behaviour upon the part of a husband who would not listen to advice or reproof. The ideal of wifely duty which impelled such sacrifice still survives; and more than one recent example might be cited of a generous life thus laid down in rebuke of some moral wrong. Perhaps the most touching instance occurred in 1892, at the time of the district elections in Nagano prefecture. A rich voter named Ishijima, after having publicly pledged himself to aid in the election of a certain candidate, transferred his support to the rival candidate. On learning of this breach of promise, the wife of Ishijima, robed herself in white, and performed jigai after the old samurai manner. The grave of this brave woman is still decorated with flowers by the people of the district; and incense is burned before her tomb.

To kill oneself at command—a duty which no loyal samurai would have dreamed of calling in question—appears to us much less difficult than another duty, also fully accepted: the sacrifice of children, wife, and household for the sake of the lord. Much of Japanese popular tragedy is devoted to incidents of such sacrifice made by retainers or [291] dependents of daimyo,—men or women who gave their children to death in order to save the children of their masters.* [*See, for a good example, the translation of the drama Terakoya, published, with admirable illustrations, by T. Hasegawa (Tokyo).] Nor have we any reason to suppose that the facts have been exaggerated in these dramatic compositions, most of which are based upon feudal history. The incidents, of course, have been rearranged and expanded to meet theatrical requirements; but the general pictures thus given of the ancient society are probably even less grim than the vanished reality. The people still love these tragedies; and the foreign critic of their dramatic literature is wont to point out only the blood-spots, and to comment upon them as evidence of a public taste for gory spectacles,—as proof of some innate ferocity in the race. Rather, I think, is this love of the old tragedy proof of what foreign critics try always to ignore as—much as possible,—the deeply religious character of the people. These plays continue to give delight,—not because of their horror, but because of their moral teaching,—because of their exposition of the duty of sacrifice and courage, the religion of loyalty. They represent the martyrdoms of feudal society for its noblest ideals.

All down through that society, in varying forms, the same spirit—of loyalty had its manifestations. As the samurai to his liege-lord, so the apprentice was bound to the patron, and the clerk to the [292] merchant. Everywhere there was trust, because everywhere there existed the like sentiment of mutual duty between servant and master. Each industry and occupation had its religion of loyalty,—requiring, on the one side, absolute obedience and sacrifice at need; and on the other, kindliness and aid. And the rule of the dead was over all.

Not less ancient than the duty of dying for parent or lord was the social obligation to avenge the killing of either. Even before the beginnings of settled society, this duty is recognized. The oldest chronicles of Japan teem with instances of obligatory vengeance. Confucian ethics more than affirmed the obligation,—forbidding a man to live "under the same heaven" with the slayer of his lord, or parent, or brother; and fixing all the degrees of kinship, or other relationship, within which the duty of vengeance was to be considered imperative. Confucian ethics, it will be remembered, became at an early date the ethics of the Japanese ruling-classes, and so remained down to recent times. The whole Confucian system, as I have remarked elsewhere, was founded upon ancestor-worship, and represented scarcely more than an amplification and elaboration of filial piety: it was therefore in complete accord with Japanese moral experience. As the military power developed in Japan, the Chinese code of vengeance became universally accepted; and it was sustained [293] by law as well as by custom in later ages. Iyeyasu himself maintained it—exacting only that preliminary notice of an intended vendetta should be given in writing to the district criminal court. The text of his article on the subject is interesting:—

"In respect to avenging injury done to master or father, it is acknowledged by the Wise and Virtuous [Confucius] that you and the injurer cannot live together under the canopy of heaven. A person harbouring such vengeance shall give notice in writing to the criminal court; and although no check or hindrance may be offered to the carrying out of his design within the period allowed for that purpose, it is forbidden that the chastisement of an enemy be attended with riot. Fellows who neglect to give notice of their intended revenge are like wolves of pretext:* their punishment or pardon should depend upon the circumstances of the case."

[*Or "hypocritical wolves."—that is to say brutal murderers seeking to excuse their crime on the pretext justifiable vengeance. (The translation is by Lowder.)]

Kindred, as well as parents; teachers, as well as lords, were to be revenged. A considerable proportion of popular romance and drama is devoted to the subject of vengeance taken by women; and, as a matter of fact, women, and even children, sometimes became avengers when there were no men of a wronged family left to perform the duty. Apprentices avenged their masters; and even sworn friends were bound to avenge each other.

[294] Why the duty of vengeance was not confined to the circle of natural kinship is explicable, of course, by the peculiar organization of society. We have seen that the patriarchal family was a religious corporation; and that the family-bond was not the bond of natural affection, but the bond of the cult. We have also seen that the relation of the household to the community, and of the community to the clan, and of the clan to the tribe, was equally a religious relation. As a necessary consequence, the earlier customs of vengeance were regulated by the bond of the family, communal, or tribal cult, as well as by the bond of blood; and with the introduction of Chinese ethics, and the development of militant conditions, the idea of revenge as duty took a wider range. The son or the brother by adoption was in respect of obligation the same as the son or brother by blood; and the teacher stood to his pupil in the relation of father to child. To strike one's natural parent was a crime punishable by death: to strike one's teacher was, before the law, an equal offence. This notion of the teacher's claim to filial reverence was of Chinese importation: an extension of the duty of filial piety to "the father of the mind." There were other such extensions; and the origin of all, Chinese or Japanese, may be traced alike to ancestor-worship.