The people took good heed that she should not know want. There was always given to her more than she needed for herself. So she was able to be nearly as kind to the children as she wished, and to feed extravagantly certain small animals. Birds nested in her temple, and ate from her hand, and learned not to perch upon the heads of the Buddhas.
Some days after her funeral, a crowd of children visited my house. A little girl of nine years spoke for them all:
"Sir, we are asking for the sake of the Bikuni-San who is dead. A very large haka[ [9] has been set up for her. It is a nice haka. But we want to give her also a very, very small haka, because in the time she was with us she often said that she would like a very little haka. And the stone-cutter has promised to cut it for us, and to make it very pretty, if we can bring the money. Therefore perhaps you will honorably give something."
"Assuredly," I said. "But now you will have nowhere to play."
She answered, smiling:
"We shall still play in the court of the temple of Amida. She is buried there. She will hear our playing, and be glad."
HARU
Haru was brought up, chiefly at home, in that old-fashioned way which produced one of the sweetest types of woman the world has ever seen. This domestic education cultivated simplicity of heart, natural grace of manner, obedience, and love of duty as they were never cultivated but in Japan. Its moral product was something too gentle and beautiful for any other than the old Japanese society: it was not the most judicious preparation for the much harsher life of the new—in which it still survives. The refined girl was trained for the condition of being theoretically at the mercy of her husband. She was taught never to show jealousy, or grief, or anger—even under circumstances compelling all three; she was expected to conquer the faults of her lord by pure sweetness. In short, she was required to be almost superhuman—to realize, at least in outward seeming, the ideal of perfect unselfishness. And this she could do with a husband of her own rank, delicate in discernment—able to divine her feelings, and never to wound them.
Haru came of a much better family than her husband; and she was a little too good for him, because he could not really understand her. They had been married very young, had been poor at first, and then had gradually become well-off, because Haru's husband was a clever man of business. Sometimes she thought he had loved her most when they were less well-off; and a woman is seldom mistaken about such matters.
She still made all his clothes; and he commended her needle-work. She waited upon his wants; aided him to dress and undress; made everything comfortable for him in their pretty home, bade him a charming farewell as he went to business in the morning, and welcomed him upon his return; received his friends exquisitely; managed his household matters with wonderful economy; and seldom asked any favors that cost money. Indeed she scarcely needed such favors; for he was never ungenerous, and liked to see her daintily dressed—looking like some beautiful silver moth robed in the folding of its own wings—and to take her to theatres and other places of amusement. She accompanied him to pleasure-resorts famed for the blossoming of cherry-trees in spring, or the shimmering of fireflies on summer nights, or the crimsoning of maples in autumn. And sometimes they would pass a day together at Maiko, by the sea, where the pines seem to sway like dancing girls; or an afternoon at Kiyomidzu, in the old, old summer-house, where everything is like a dream of five hundred years ago—and where there is a great shadowing of high woods, and a song of water leaping cold and clear from caverns, and always the plaint of flutes unseen, blown softly in the antique way—a tone-caress of peace and sadness blending, just as the gold light glooms into blue over a dying sun.