Radames comes! Amonasro, hiding in the shadow of the palms, hears all. Radames betrays his country to Aïda. "Save thyself!—fly with me!" she whispers to her lover. "Leave thy gods; we shall worship together in the temples of my country. The desert shall be our nuptial couch!—the silent stars the witness of our love. Let my black hair cover thee as a tent; my eyes sustain thee; my kisses console thee." And as she twines about him and he inhales the perfume of her lips and feels the beating of her heart, Radames forgets country and honor and faith and fame; and the fatal word is spoken. Napata!—Amonasro, from the shadows of the palm-trees, shouts the word in triumph! There is a clash of brazen blades; Radames is seized by priests and soldiers: Amonasro and his daughter fly under cover of the night.
Vainly tall Amneris intercedes with the deep-voiced priest. Ramphis has spoken the word: "He shall die!" Vainly do the priests call upon Radames to defend himself against their terrible accusations. His lips are silent. He must die the death of traitors. They sentence him to living burial under the foundations of the temple, under the feet of the granite gods.
Under the feet of the deities they have made the tomb of Radames—a chasm wrought in a mountain of hewn granite. Above it the weird-faced gods with beards of basalt have sat for a thousand years. Their eyes of stone have beheld the courses of the stars change in heaven; generations have worshiped at their feet of granite. Rivers have changed their courses; dynasties have passed away since first they took their seats upon their thrones of mountain rock, and placed their giant hands upon their knees. Changeless as the granite hill from whose womb they were delivered by hieratic art, they watch over the face of Egypt, far-gazing through the pillars of the temple into the palm-shadowed valley beyond. Their will is inexorable as the hard rock of which their forms are wrought; their faces have neither pity nor mercy, because they are the faces of gods!
The priests close up the tomb; they chant their holy and awful hymn. Radames finds his Aïda beside him. She had concealed herself in the darkness that she might die in his arms.
The footsteps of the priests, the sacred hymn, die away. Alone in the darkness above, at the feet of the silent gods, there is a sound as of a woman's weeping. It is Amneris, the daughter of the king. Below in everlasting gloom the lovers are united at once in love and death. And Osiris, forever impassible, gazes into the infinite night with tearless eyes of stone.
EL VÓMITO[22]
The mother was a small and almost grotesque personage, with a somewhat mediæval face, oaken colored and long and full of Gothic angularity; only her eyes were young, full of vivacity and keen comprehension. The daughter was tall and slight and dark; a skin with the tint of Mexican gold; hair dead black and heavy with snaky ripples in it that made one think of Medusa; eyes large and of almost sinister brilliancy, heavily shadowed and steady as a falcon's; she had that lengthened grace of dancing figures on Greek vases, but on her face reigned the motionless beauty of bronze—never a smile or frown. The mother, a professed sorceress, who told the fortunes of veiled women by the light of a lamp burning before a skull, did not seem to me half so weird a creature as the daughter. The girl always made me think of Sou they's witch, kept young by enchantment to charm Thalaba.