2. Saison chaude et sèche. April to July. Rainfall, about 140 millimeters.
3. Saison chaude et pluvieuse. July to November. Rainfall average, 1121 millimeters.
Other authorities divide the saison chaude et sèche into two periods, of which the latter, beginning about May, is called the Renouveau; and it is at least true that at the time indicated there is a great burst of vegetal luxuriance. But there is always rain, there are almost always clouds, there is no possibility of marking and dating the beginnings and the endings of weather in this country where the barometer is almost useless, and the thermometer mounts in the sun to twice the figure it reaches in the shade. Long and patient observation has, however, established the fact that during the hivernage, if the heavy showers have a certain fixed periodicity,—falling at mid-day or in the heated part of the afternoon,—Pelée is likely to be clear early in the morning; and by starting before daylight one can then have good chances of a fine view from the summit.
IV
At five o'clock of a September morning, warm and starry, I leave St. Pierre in a carriage with several friends, to make the ascent by the shortest route of all,—that of the Morne St. Martin, one of Pelée's western counterforts. We drive north along the shore for about half an hour; then, leaving the coast behind, pursue a winding mountain road, leading to the upper plantations, between leagues of cane. The sky begins to brighten as we ascend, and a steely glow announces that day has begun on the other side of the island. Miles up, the crest of the volcano cuts sharp as a saw-edge against the growing light: there is not a cloud visible. Then the light slowly yellows behind the vast cone; and one of the most beautiful dawns I ever saw reveals on our right an immense valley through which three rivers flow. This deepens very quickly as we drive; the mornes about St. Pierre, beginning to catch the light, sink below us in distance; and above them, southwardly, an amazing silhouette begins to rise,—all blue,—a mountain wall capped with cusps and cones, seeming high as Pelée itself in the middle, but sinking down to the sea-level westward. There are a number of extraordinary acuminations; but the most impressive shape is the nearest,—a tremendous conoidal mass crowned with a group of peaks, of which two, taller than the rest, tell their name at once by the beauty of their forms,—the Pitons of Carbet. They wear their girdles of cloud, though Pelée is naked to-day. All this is blue: the growing light only deepens the color, does not dissipate it;—but in the nearer valleys gleams of tender yellowish green begin to appear. Still the sun has not been able to show himself;—it will take him some time yet to climb Pelée.
Reaching the last plantation, we draw rein in a village of small wooden cottages,—the quarters of the field hands,—and receive from the proprietor, a personal friend of my friends, the kindest welcome. At his house we change clothing and prepare for the journey;—he provides for our horses, and secures experienced guides for us,—two young colored men belonging to the plantation. Then we begin the ascent. The guides walk before, barefoot, each carrying a cutlass in his hand and a package on his head—our provisions, photographic instruments, etc.
The mountain is cultivated in spots up to twenty-five hundred feet; and for three-quarters of an hour after leaving the planter's residence we still traverse fields of cane and of manioc. The light is now strong in the valley; but we are in the shadow of Pelée. Cultivated fields end at last; the ascending path is through wild cane, wild guavas, guinea-grass run mad, and other tough growths, some bearing pretty pink blossoms. The forest is before us. Startled by our approach, a tiny fer-de-lance glides out from a bunch of dead wild-cane, almost under the bare feet of our foremost guide, who as instantly decapitates it with a touch of his cutlass. It is not quite fifteen inches long, and almost the color of the yellowish leaves under which it had been hiding.... The conversation turns on snakes as we make our first halt at the verge of the woods.
THE CATHEDRAL, ST. PIERRE Completely destroyed by the catastrophe of 1902 except for a marble statue of the Virgin. This has been set high on a cliff above the town and may be seen from far out at sea.