It was very quiet in the front room of the little cottage that squatted in the black shadow below Judge Maynard’s huge house on the hill. No sound broke the heavy silence save the staccato clip-clip of the long shears in the fingers of the girl who was leaning almost breathlessly over the work spread out on the table beneath the feeble glow of the single oil-lamp, unless the faint, monotonous murmur which came in an endless sing-song from the lips of the stooped, white-haired old figure in the small back room beyond the door could be named anything so definite.
John Anderson’s lips always moved when he worked. His fingers, strong and clean-jointed and almost womanishly smooth––the only part of the man not pitifully seared with age––flew with a bewildering nimbleness one moment, only to dwell the next with a lingering caress upon the shaping features before him; and for each caress of his finger tips there was an accompanying, vacantly gentle smile or an uncertainly emphatic nod of the silvered head which gave the one-sided conversation a touch of uncanny reality.
And yet, at regularly recurring intervals, even his busy fingers faltered, while he sat head bent far over to one side as though he were listening for something, waiting for some reply. At every such pause the vacant smile left his face and failed to return immediately. The monotonously inflectionless conversation was still, too, for the time, and he merely sat and stared perplexedly about him, around the small workshop, bare except for the single high-stool that held him and the littered bench on which he leaned.
There was a foot-wide shelf against each wall of that room, fastened waist high from the floor, and upon it stood countless small white statues, all slim and frail of limb, all upturned and smiling of lip. They were miraculously alike, these delicate white figures, each with a throat-tightening heartache in its wistful face––so alike in form and expression that they might have been cast in a single mold. Wherever his eyes might fall, whenever he turned in one of those endlessly repeated fits of faltering uncertainty, that tiny face was always before him, uplifted of lip, smiling back into John Anderson’s vacant eyes until his own lips began to curve again and he turned once more, nodding his head and murmuring contentedly, to the clay upon his bench.
Out in the larger front room, as she hovered over the work spread out before her, the girl, too, was talking aloud to herself, not in the toneless, rambling 40 voice that came from John Anderson’s mumbling lips, but in hushed, rapt, broken sentences which were softly tinged with incredulous wonder.
The yellow glow of the single lamp, pushed far across the table from her, where the most of its radiance was swallowed up by the gloom of the uncurtained window, flickered unsteadily across her shining, tumbled hair, coloring the faintly blue, thinly penciled lines beneath her tip-tilted eyes with a hint of weariness totally at variance with the firm little sloping shoulders and full lips, pursed in a childish pout over a mouthful of pins.
The hours had passed swiftly that day for Dryad Anderson; and the last one of all––the one since she had lighted the single small lamp in the room and set it in the window, so far across the table from her that she had to strain more and more closely over her swift flashing scissors in the thickening dusk––had flown on winged feet, even faster than she knew.
Twice, early in the evening she had laid the long shears aside and risen from the matter that engrossed her almost to the exclusion of every other thought, to peer intently out of the window across the valley at the bleak old farmhouse on the crest of the opposite ridge; and each time as she settled herself once more in the chair, hunched boyishly over the table edge, she only nodded her bright head in utter, undisturbed unconsciousness of the passage of time.