For a year or more it was like that, and then the day came which, with dawn, found John Anderson changed into a gray-haired, white-faced man, whose eyes always seemed to be looking beyond one, and who spoke but seldom, even when he was spoken to. During the month that followed that night hardly a person in the village heard a word pass his lips, except, perhaps, those members of the church societies who had volunteered to help care for the baby.
He locked himself up in the small shop which occupied the back room of the house and day after day he worked there alone in a deadly quiet, strangely mechanical fashion. Sometimes far into the night they heard the tap-tap of his mallet as he chipped away, bit by bit, on a slender shaft of white marble, until more than one man in those days shook his head dubiously and vouchsafed his neighbor the information that John Anderson “wa’n’t quite right.”
A month passed during which the steady chip-chip scarcely ever ceased; and yet, when the work was finally finished and set up over the fresh little mound in the grounds behind the church, and they came to 21 stand before it, they found nothing ready for them to say. For once the tongues of the hillsfolk were sobered into silence.
It was like her––that slim little white statue––so like her in its pallor and frailty of feature and limb that they only gasped and then fell to whispering behind their hands at the resemblance. And somehow, too, as they stared, their faces failed to harden as they had always hardened before, whenever they rebuked her slim, elfish untidiness, for upon the face of stone, which was the face of his wife, John Anderson’s chisel had left a fleeting, poignantly wistful smile that seemed touched with the glory of the Virgin Mother herself.
They merely stood and stared––the townsfolk––and yet they only half understood, for when it was noised about the street a few days later that John Anderson had given up forever his occupation of chiseling tombstones for the bleak Boltonwood cemetery––an occupation which at least had yielded him a bare living––and had locked himself up in that back room to “putter with lumps of clay,” he was instantly convicted of being queer in the eyes of the entire thrifty community, even without his senseless antagonism of the Judge in the years that followed to clinch the verdict.
After the first few weeks that followed that night the village saw less and less of the man who went 22 on living alone in the small white cottage with only the child to keep him company––the girl-child whom he had named Dryad, perhaps in a blind, groping hunger for beauty, perhaps in sheer revolt against the myriad Janes and Anns and Marthas about him. His hair was snow white before she was half grown; he was an old man, wrinkled of face and vacant of eye, who bent always over the bench in his back-room shop too engrossed with his work even to note that, day by day, her face and slim body and tumbled yellow hair grew more and more like the face which was always smiling up at him from the shaping clay or marble.
Months passed before he opened his lips again for speech. Then he began to talk; he began to murmur little, disjointed intimate phrases of endearment to the stone face growing under his fingers––phrases that were more than half unintelligible to strange ears––until as the habit grew there came long periods, days at a time, when he carried on an uncannily one-sided conversation with the empty air before him, or, as the villagers often hinted, with some one whom his eyes alone could see.
But as the years went by even this novelty lost its spice with long familiarity. The cottage at the edge of town went from straggling neglect to utter ruin, but John Anderson still clung to it with a senseless stubbornness over which they often shook their heads 23 in pity––in heartfelt commiseration for the Judge who had to endure this eyesore at his very doors, in spite of all his shrewdness or the reputed size of his balance at the County National.
But if time had dimmed their interest in the father, it had only served to whet their keen curiosity over the girl, who, in the intervening eighteen years, had changed from a half-starved, half-clad child that flashed through the thickets like a wild thing, into a long slender-limbed creature with wide, duskily violet eyes and shimmering, tumbled hair––a creature of swift, passionate moods who, if they could only have known it, was startlingly like the wild things for which he had named her.
They were not given to the reading of heathen mythology, the people of Boltonwood, and so they could not know. But with every passing day they did realize that Dryad Anderson’s fiercely wistful little face was growing more and more like that of the little statue in the grounds behind the church––the stone face of John Anderson’s frail bride of a year––long since turned a dull, nondescript gray by the sun and weather.