"Wearied by endless running about to find help for my charade, —— having disappointed me. Determine to undertake nothing more of the kind."
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The charade (Belabor), which came off the following evening, was marked by a comic "To be or not to be," composed and recited by her in a "Hamlet costume, consisting of a narrow, rather short black skirt, a long black cloak and a black velvet toque, splendid lace ruff, amethyst necklace. It was very effective, and the verses gave reasonable pleasure."
"March 15.... Went to the Masonic Banquet, which was preceded by a long ceremony, the consecration of three new banners. The forms were curious, the music good, the occasion unique. The association appeared to me a pale ghost of knighthood, and the solemnities a compromise between high mass and dress parade. The institution now means nothing more than a military and religious toy."
In this year she met with a serious loss in the death of her uncle, John Ward. He had been a second father to her and her sisters; his kindly welcome always made No. 8 Bond Street a family home.
"April 4. The contents of uncle's will are known to-day. He had made a new one, changing the disposition of his property made in a previous will which would have made my sisters and me much richer. This one gives equally to my cousins, Uncle William's four sons, and to us; largely to Uncle Richard, and most kindly to Brother Sam and Wardie. We know not why this change was made, but once made, it must be acquiesced in, like other events past remedy. My cousins are wealthy already—this makes little difference to them, but much to us. God's will be done, however. I must remember my own doctrine, and build upon 'The Fact Accomplished.'"
This passage explains the financial worries which, from now on, often oppressed her. She was brought up in wealth and luxury; sober wealth, unostentatious luxury, but enough of both to make it needless for her ever to consider questions of ways and means. Her whole family, from the adoring father down to the loving youngest sister, felt that she must be shielded from every sordid care or anxiety; she was tended like an orchid, lest any rough wind check her perfect blossoming.
Her father left a large fortune, much of which was invested in blocks of real estate in what is now the heart of New York. Uncle John, best and kindest of men, had no knowledge of real estate and none of the foresight which characterized his elder brother. After Mr. Ward's death, he made the mistake of selling out the Manhattan real estate, and investing the proceeds in stocks and bonds. Later, realizing his grave error, he resolved to mitigate the loss to his three nieces by dividing among them the bulk of his property.
This failing, the disappointment could not but be a sensible one, even to the least money-loving of women. The Doctor's salary was never a large one: the children must be given every possible advantage of education and society; no door that was open to her own youth should be closed to them; again, to entertain their friends (albeit in simple fashion), to respond to every call of need or distress, was matter of necessity to both our parents: small wonder that they were often pressed for money. All through the Journals we find this note of financial anxiety: not for herself, but for her children, and later for her grandchildren. She accepted the restricted means; she triumphed over them, and taught us to hold such matters of little account compared with the real things of life; but they never ceased to bewilder her.
Yet to-day, realizing of what vital importance this seeming misfortune was to her; how but for this, her life and other lives might have lacked "the rich flavor of hope and toil"; how but for this she might have failed to lock hands with humanity in a bond as close as it was permanent, who can seriously regret Uncle John's devastating yet fruitful mistake?