Not long after this raid, about noon of a summer day, Joan of Arc was in her father's garden, which lay between the house and the little gray church. We do not know just what the girl was doing, whether gathering flowers for her pleasure, or herbs for household use, or simply dreaming away a leisure hour, as girls love to do. Suddenly "on her left hand, toward the church, she saw a great light, and had a vision of the archangel Michael, surrounded by other angels."[18]
Thus, briefly and simply, the marvelous story begins. Indeed, the beginning must needs be brief, since only Joan herself could tell of the vision, and she was always reticent about it. She would not, press her as they might, describe the appearance of the archangel. We must picture him for ourselves, and this, thanks to Guido Reni, we may easily do. The splendid young figure in the sky-blue corslet, his fair hair afloat about his lightning countenance as he raises his sword above the prostrate Dragon, is familiar to us all. We may, if you please, fancy him similarly attired in the little garden at Domrémy, but the lightning would be softened to a kindlier glow as he addressed the frightened child.
Michael, chief of the seven (some say eight) archangels, is mentioned five times in the Scriptures, always as fighting: his festival (September 29th) should be kept, one might think, with clash of swords instead of chime of bells. We read that he was the special protector of the Chosen People; that he was the messenger of peace and plenty, the leader of the heavenly host in war, the representative of the Church triumphant; that his name means "God's power," or "who is like God." As late as 1607, the red-velvet-covered buckler said to have been carried by him in his war with Lucifer was shown in a church in Normandy, till its exhibition was forbidden by the Bishop of Avranches. On the promontory of Malea is a chapel built to him; when the wind blows from that quarter, the sailors call it the beating of St. Michael's wings, and in sailing past they pray the saint to keep the great wings folded till they have rounded the cape. Of St. Michael's Mount in Cornwall, it is told that whatever woman sits in the rocky seat known as Michael's Chair, will rule her husband ever after. For further light on St. Michael, see Paradise Lost. It remained for a poet of our own day, more lively than Miltonic, to fix him in our minds with a new epithet:
"When Michael, the Irish archangel, stands,
The angel with the sword."[19]
Little Joan, trembling among her rose-bushes, knew, we may imagine, none of these things. She saw "Messire Saint Michel" as a heavenly prince with his attending angels: "there was much light from every side," she said, "as was fitting." He spoke to her; bade her be a good girl, and go often to church. Then the vision faded.
Seven years later, answering her judges, she speaks thus of the matter: "When I was thirteen years old (or about thirteen) I had a Voice from God, to help me in my conduct. And the first time, I was in great fear."
We may well believe it. We can fancy the child, her eyes still dazzled with the heavenly light, the heavenly voice still in her ears, stealing back into the house, pale and trembling. She said no word to mother Isabel or sister Catherine of what had come to her; for many a day the matter was locked in her own faithful heart.
The vision came again. The archangel promised that St. Catherine and St. Margaret should come to give her further help and comfort, and soon after these heavenly visitants appeared. "Their heads were crowned with fair crowns," says Joan, "richly and preciously. To speak of this I have leave from the Lord.... Their voices were beautiful, gentle and sweet."