There the two stand, facing each other, with cheerful looks; and there they have stood for fifty years.
On a certain pleasant morning, about the time of which I am writing, Salem Rock and Seth Weaver were having what they called their annual spree. Seth had brought his brushes and a variety of paint-pots; Salem, according to custom, had provided tobacco, and a great stone pitcher containing ginger, molasses, and water, with plenty of ice tinkling in it. This pitcher was set down between the two images, within reach of either man: Seth was at work on the white lady, while Salem, with infinite and loving care, went over the gentleman's attire, picking out the waistcoat pattern, and doing wonderful things to the buttons with a tiny brush dipped in gold leaf.
"Old Sir's goin' to look tasty this time, now I tell ye!" he said, drawing back, with his head on one side, to study the effect. "I've give him a yeller sprig to his vest, see? I expect Old Marm'll say 'yes' this time, for as long as she's held out."
"Yes!" grumbled Seth, pipe in mouth. "You never let me have a chanst at him, nor yet you won't let me brisk the Old Lady up to match. Give her a pink dress now, and hair her up some, and she'd be a fine-lookin' woman as there is in this village. I'll do it, too, some night; you'll see."
"No, you don't!" said Salem, slowly, as he drew a scarlet line down the seams of "Old Sir's" coat. "White Old Marm begun, and white she'll stay. Wal, you was beginnin' to tell me about this ruction up to Home's. What is it Pindar's after? I ain't seen him yet."
"He's after a strait-weskit, and he'll get it, don't you have no fears!" replied Seth. "He calls it a Pro-cessional Festival Jubilee. He's hired the band from the Corners, and he's got the women-folks churned up till they don't know whether they're butter or cheese. They're routin' out all their old clo'es from up attic, and tryin' of 'em on, and cacklin'—there! I thought I'd heerd hens before; but this mornin' I was in to Penny's store, and there was a passel of 'em in there talkin' it over, and I tell you there ain't a hen-yard in this State to ekal it. I come away without my bird seed. Gorry! there's times when it feels good to be a single man."
"That may be so, Seth," replied Mr. Rock, soberly; "but there's other times—meal-times, and rheumatiz, and such—when it ain't so handy. How does Homer feel about all this ran-tan?"
"Poor old Home!" said Seth, shaking his head. "He's pooty well broke up. He was jest beginnin' to take notice, and get used to things the new way, and sense it that it warn't goin' to kill him to have money in the bank; and now comes Pindar, flappin' and squeakin' like a ravin'-distracted June-bug, and stands him on his head, and he don't know where he is again; Home don't, I mean. He never could stand up against Pindar, you know. You remember at school we used to call 'em Loony and Moony; Homer was Moony. We used to call after 'em—
"'Loony and Moony,
Both got spoony,
Dance for Mame when she plays 'em a toony.'
There! I ain't thought o' that for thirty years, I don't believe. There never was a single mite o' harm in Homer that I could see."