"Well, then, please keep it to yourself," requested Mr. Pertell, sharply. "You are getting on the nerves of the ladies, Sneed!"
For Miss Pearl Pennington, and her friend Miss Laura Dixon—the two rather flashily-pretty girls mentioned before—were crying hysterically.
"It doesn't seem to be a very bad smash," went on Mr. Pertell. "Suppose we go out and see what caused it? I hope none of our baggage has been damaged."
"Oh, let's go out and see Russ taking moving pictures of the wreck!" proposed Alice, as she brushed off her blue suit.
"Are you sure you're all right?" asked Ruth, anxiously.
"Oh, certainly! Not hurt at all. Just jolted up a bit. Come on. You too, Daddy!"
Indeed the whole theatrical company, as well as the other passengers, made for the doors of the car. And while they are going out to see the extent of the damage I will take just a moment to make my new readers somewhat better acquainted with the characters of this story.
To begin with the moving picture girls themselves, they were Ruth and Alice DeVere, aged seventeen and fifteen respectively, the daughters of Hosmer DeVere, formerly a well known actor. As told in the first volume, "The Moving Picture Girls; Or, First Appearances in Photo Dramas," Mr. DeVere's voice had suddenly given out, when he was rehearsing for a part in a new play.
This came particularly hard, as he had been without an engagement for some time, and finances were low. The DeVere family lived in the Fenmore Apartment on one of the West Sixtieth streets of New York City. They were, in fact, about to be dispossessed for non-payment of rent when Mr. DeVere experienced a return of an old throat affection, making it impossible for him to speak his lines.
He was replaced in the character, and matters looked black indeed. Across the hall from the DeVere family lived Russ Dalwood, a moving picture operator, with his widowed mother and brother, Billy. Russ learned of the distress of his neighbors, and suggested that as Mr. DeVere could act he might get a place with a moving picture company that produced picture dramas. In this work he would not need to speak very much.