KAVA FEAST GIVEN TO THE CHIEFS ON COMPLETION OF THE ROAD OF THE LOVING HEART

This work was a labour of love, the men who engaged in it were mostly of a high class, and they would neither take wages nor any sort of payment in kind. How this pleased Stevenson may be gathered from the following:—“Now whether or not this impulse will last them through the road does not matter to me one hair. It is the fact that they have attempted it, that they have volunteered, and are now trying to execute, a thing that was never before heard of in Samoa. Think of it! It is road making, the most fruitful cause, after taxes, of all rebellion in Samoa, a thing to which they could not be wiled with money, nor driven by punishment. It does give me a sense of having done something in Samoa after all.”[5]

Stevenson had purposed putting up a notice of the new road, with its name in large letters with a few words of thanks for the chiefs, and a board was prepared for the purpose, painted and spaced for the lettering, when the chiefs arrived with their own inscription carefully written out. They begged so earnestly to have this printed instead that their wish was gratified. I was privileged to read the notice at the corner of the wide road leading to the gates of Vailima.[6] The inscription is in Samoan, but translated into English runs as follows: “The Road of the Loving Heart” (Ala Loto Alofa), “Remembering the great care of his Highness Tusitala, and his loving care when we were in prison and sore distressed, we have prepared him an enduring present, this road which we have dug to last for ever. It shall never be muddy, it shall endure, this road that we have dug.”

On arrival at the finger-post our Chinaman was fain to be rid of us, so he announced, with a grin on his yellow face, “Horsee too muchee tired, missie walk now, missie catchee Vailima chop-chop.” We had, however, been forewarned what to expect by the captain, so I merely remarked, “Savey, John no catchee Vailima, no catchee pay.” And John drove on!

The Road of the Loving Heart, if very steep, has a fairly level surface. On either side are palms, bread fruit trees and bananas. Vailima (literally, “Five Rivers”) is approached by a short drive, through a gate, into a lovely garden. Mrs. Strong tells me that the present owner has painted on that gate the words—“Villa Vailima.” I am happy to say, however, that neither of us observed this atrocity.

THE HOUSE AT VAILIMA

The house itself is well designed and has a double verandah; it is built of wood throughout, and stands on very high ground. On the left hand, as we faced the house, was the smaller villa once occupied by Mrs. Strong. On the right, towering up into the blue dome above, was Mount Veea, and on the wooded height (far beyond ken)—THE GRAVE.

Not a soul was visible, the place was bathed in sunshine and “steeped in silentness,” not even a dog barked at our approach. The crotons, dracaenas, and other plants of brilliant foliage made patches of vivid colour on the well-kept lawns, and everywhere was the scent of orange blossom, gardenia, and frangipani.