Roelant Roghman (1597-1686), though most of his plates are nominally topographical, shows more feeling, if less skill. One set of plates by him illustrates the Dutch postal system between the mother country and the East Indies, and has therefore an historical interest.
But Roghman’s chief claim on our concern is that he was the faithful and beloved friend of Rembrandt. His etchings, however, show no trace of Rembrandt’s influence; and he was by ten years the elder man.
Like Seghers and like Ruisdael, Roghman was neglected and miserable in his life, and died in an almshouse. One of his landscapes is in the National Gallery.
VIII
The illustration on page 51 (Fig. 18) is from an etching which represents a certain province of Dutch art, handled by several of the painters with much success, but scarcely touched by the etchers.
Of this group, to whom architecture, whether in the spacious and austere interiors of the Dutch churches, or the squares and ruddy brick house-fronts of the towns, was the chief preoccupation, Jan van der Heyden is the most famous and the best. He is also the one among them who has etched. The illustration, though much reduced, gives a fairly good idea of his work. Master of a precise and patient pencil, Van der Heyden is not content till he has drawn in every brick, every stone. And the marvel is, that in spite of his method, he contrives to convey a certain spirit of largeness into his design. In fact, though so minute in detail, he seems always to have kept his eye on the whole. A pleasant temperate warmth of colour pervades his pictures, the kind of light which on certain days suffuses old brick walls, as if dyed in the sunshine of many summers: and that exquisite order, the almost extravagant cleanliness of Dutch households, makes itself felt in these glimpses of tree-bordered canals, and of trim house-fronts with their well-proportioned windows.
Much of this colour persists even in the black and white of an etching like that reproduced. It is the day after a fire, and a little crowd of neighbours is gathered to look on the burnt remnant of the house. How
Sea Piece. From an etching by L. Backhuysen.