Upon his release from prison I had sent him my recently published book, All-Fellows: seven legends of lower Redemption, hoping that its title and contents would say something on my behalf, which, in his particular case, I very much wished to convey. A fortnight later a courteous and appreciative letter reached me from the south of France, telling me incidentally that by the same post had come a copy of A Shropshire Lad, sent with the good wishes of the author, whom he had never met. “Thus you and your brother,” he wrote, “have given me a few moments of that rare thing called happiness.”
From that time on I sent him each of my books as they appeared, and received letters of beautifully ornate criticism; and as I passed through Paris on my way back from Italy in the autumn of 1899, we met once more in the company of friends.
My memory of him upon that occasion inclines me to believe that those are right who maintain that as a personality he was more considerable than as a writer. The brilliancy of conversation is doubtfully reproduced in the cold medium of print, and I may have wholly failed to convey the peculiar and arresting quality of what, by word of mouth, sounded so well. But the impression left upon me from that occasion is that Oscar Wilde was incomparably the most accomplished talker I had ever met. The smooth-flowing utterance, sedate and self-possessed, oracular in tone, whimsical in substance, carried on without halt, or hesitation, or change of word, with the quiet zest of a man perfect at the game, and conscious that, for the moment at least, he was back at his old form again: this, combined with the pleasure, infectious to his listeners, of finding himself once more in a group of friends whose view of his downfall was not the world’s view, made memorable to others besides myself a reunion more happily prolonged than this selected portion of it would indicate.
But what I admired most was the quiet, uncomplaining courage with which he accepted an ostracism against which, in his lifetime, there could be no appeal. To a man of his habits and temperament—conscious that the incentive to produce was gone with the popular applause which had been its recurrent stimulus—the outlook was utterly dark: life had already become a tomb. And it is as a “monologue d’outre tombe” that I recall his conversation that day; and whether it had any intrinsic value or no, it was at least a wonderful expression of that gift which he had for charming himself by charming others.
Among the many things he touched on that day (of which only a few disjointed sentences now remain to me), one note of enthusiasm I have always remembered, coming as it did so strangely from him, with his elaborate and artificial code of values, based mainly not on the beauty of human character, but on beauty of form—when, with a sudden warmth of word and tone, he praised Mrs. Gladstone for her greatness and gentleness of heart: “her beautiful and perfect charity” I think was the phrase he used, adding: “But then, she was always like that.”
None of us knew her; but from that day on, the warmth and humility of his praise left an impression upon my mind, which a reading of her life only two years ago came to confirm. Perhaps—I like to think that it was possible—an expression of her “beautiful and perfect charity” had come to him personally, so making her stand differently in his eyes from the rest of the world.
Echo de Paris
Echo de Paris
A Study from Life
The echo is from as far back as the year 1899. It is late September. By the entrance of a café, on a street opening into the Place de l’Opera, three Englishmen sit waiting at a small table, relieved for the moment from the solicitations of the garçon anxious to serve them their aperitifs. It is all very well for the café to call itself the “Vieille Rose”: no doubt by gaslight it lives charmingly up to its name; but seen in the noonday’s glare, its interior upholsterings are unmistakably magenta. From the warm sunshade of its awning the street view is charming; and while one of the trio watches it benevolently with an accustomed eye, the other two, encountering Paris for the first time, find in its brisk movement the attraction of novelty. But it is a reversion to English habit which makes one of them presently look at his watch a little anxiously.