Rice was the author of many of his own farces, notably Bone Squash and The Virginia Mummy, and he was the veritable originator of the genus known to the stage as the “dandy darky,” represented particularly in his creations of “Dandy Jim of Caroline” and “Spruce Pink.” He died in 1860, never having forfeited the respect of the public or the good-will of his fellow-men.
JAMES ROBERTS.
There were many lithographed and a few engraved portraits of Rice made during the years of his great popularity, a number of which are still preserved. In Mr. McKee’s collection he is to be seen dancing “Jim Crow” in English as well as in American prints—as “Gumbo Chaff,” on a flat-boat, and, in character, singing the songs “A Long Time Ago” and “Such a Gettin’ Up-stairs.” In the same collection, among prints of George Dimond and other half-remembered clog-dancers and singers, is a portrait of John N. Smith as “Jim Along Josey,” on a sheet of music published by Firth & Hall in 1840; and, more curious and rare than any of these, upon a musical composition, “on which copyright was secured according to law October 7, 1824,” is a picture of Mr. Roberts singing “Massa George Washington and Massa Lafayette” in a Continental uniform and with a blackened face. This would make James Roberts, a Scottish vocalist, who died in 1833, the senior of Jim Crow by a number of years.
GEORGE WASHINGTON DIXON.
George Washington Dixon, whose very name is now almost forgotten, also preceded Rice in this class of entertainment, but without Rice’s talent, and with nothing like Rice’s success. He sang “Coal Black Rose” and “The Long-tailed Blue” at the old amphitheatre in North Pearl Street, Albany, as early as 1827, and he claimed to have been the author of “Old Zip Coon,” which he sang for Allen’s benefit in Philadelphia in 1834. He became notorious as a “filibuster” at the time of the troubles in Yucatan, and he made himself particularly offensive to a large portion of the community as the editor of a scurrilous paper called the Polyanthus, published in New York. He was caned, shot at, imprisoned for libel, and finally forced to leave the city. He died in the Charity Hospital, New Orleans, in 1861.
Mr. White says that in early days negro songs were sung from the backs of horses in the sawdust ring; that Robert Farrell, “a circus actor,” was the original “Zip Coon,” and that the first colored gentleman to wear “The Long-tailed Blue” was Barney Burns, who broke his neck on a vaulting board in Cincinnati in 1838. When the historians disagree in this confusing way, who can possibly decide?