INFANT PHENOMENA OF AMERICA.
“So cunning, and so young, is wonderful.”
Richard III., Act iii. Sc. 1.
While the “Grand Spectacle of the Black Crook” was enjoying its fourth successful run at Niblo’s Garden, New York, in the season of 1873, a precociously bright little musician of some six or seven years of age, so advertised in the bills, and to all appearances no older, preternaturally large in head and small in person, won the affection and the sympathy of all those who witnessed his performances. During his very short career he was one of the chief attractions of that attractive variety show, for the Black Crook in its later years was nothing more than a variety entertainment; and when, so soon after the close of his engagement here, the news of his death came from Boston, few of the established favorites of many years have been so sincerely mourned as was this unfortunate little James G. Speaight.
Scarcely larger than the violin he carried, dressed in a bright court suit of blue satin, with powdered wig and silken hose and buckled shoes, like a prince in a fairy tale, he seemed the slightest mite of a performer who ever stood behind the foot-lights. His hands were scarcely big enough to grasp his instrument; his arms and his legs were not so thick as his bow; a bit of rosin thrown at him would have knocked him down; and he could have been packed away comfortably in the case of his own fiddle. As a musician he certainly was phenomenal. It was said of him that when only four years of age, and after a single hearing, he could play by ear the most difficult and complicated of musical compositions, and that he could remember an air as soon as he could utter an articulate sound. Before he was five years old he was sole performer at concerts given under his father’s management in some of the provincial towns of England; and when he first appeared in this country he not only played solos upon his violin, displaying decided genius and technical skill, but he conducted the large orchestra standing on a pile of music-books in the chair of the leader, that he might be seen of the musicians he led.
MUNRICO DENGREMONT.
The grace and ease of the little artist, his enthusiasm and vivacity, could not fail to interest and amuse his audiences, while at the same time it saddened the most thoughtful of them, who realized how unnatural and how cruel to the child the whole proceeding must of necessity be. That he was passionately fond of his art there could be no doubt, or that he lived only in and for it, and in the excitement and applause his public appearances brought him; but that his indulgence of his passion without proper restraint was the cause of the snapping of the strings of his little life, and of the wreck of what might have been a brilliant professional career, was plainly manifest to every physician, and to every mother who saw and heard and pitied him.