SANTOS-DUMONT ROUNDING THE EIFFEL TOWER

Up to this time there is little to record in dirigible history but a long series of valiant attempts and failures, punctuated all too frequently by gruesome disasters. But the nineteenth century was drawing to a close, the twentieth century with its era of mechanical triumphs was at hand, and the time was ripe for those champions of the dirigible to appear who should make it a potent factor in modern warfare.

Almost at the same time there stepped into the limelight of public interest two men, representing Germany and France, whose names are now famous in the aeronautic world. In 1898 there appeared in Paris a young Brazilian named Santos-Dumont, who began constructing a series of dirigibles whose success astounded the authorities.

In exactly the same year Count von Zeppelin, in Germany, formed a limited liability company for the purpose of raising funds for airship construction. His first dirigible balloon was the longest and biggest that had ever been built. Although the envelope was not, like Schwartz's dirigible, of solid aluminum, it was practically rigid, for it was made by stretching a linen and silk covering over an aluminum framework.

Zeppelin's first airship had two cars, with a motor in each, giving about 30 horsepower. On its trial trips it made a better speed than had yet been attained.

With the experience he had gained Zeppelin set to work on a new design. It was five years before he secured enough funds for its construction, but it was finally ready in 1905. The most important improvement was in the motors, which were as light in weight as those of the first dirigible but had a greatly increased power. As before, there were two cars, with an 80 horsepower motor in each.

Even this airship, in spite of its greater speed, was not an unqualified success, for it was discovered that it had too great a lifting power, so that when launched it rose at once to a height of about 1500 feet, and was impossible to operate at a lower level.

Santos-Dumont, meanwhile, in Paris, had been performing feats of aeronautics which had made him the acknowledged “hero of the air.” Santos-Dumont was probably far from being the scientific student of balloon construction that Zeppelin was, but while his dirigibles did not attain a great speed or represent a tremendous advance in actual theory, his public performances served one great purpose, they aroused the ardor and enthusiasm of the whole French people and of many in other countries for the sport of ballooning. Santos-Dumont had great wealth, and a sportsman's courage. He constructed in all 14 dirigibles, each time seizing upon the experience he had gained and incorporating it into a new model, casting aside the old.