THIS CURTISS TRIPLANE HAS A SPEED OF ONE HUNDRED AND SIXTY MILES AN HOUR
CHAPTER VII
German Airplanes in the World War
When we read the story of the wonderful contributions made by France, England, Italy, and America to the progress of aviation and to the romantic history of the heavier-than-air machine, we must remember that it is the story of nations which, a few short years ago, had no thought of turning the airplane into a mere weapon of destruction and desolation. It was the conquest of the air, for its own sake, that appealed to the fiery imaginations of the French, and that made them, from the day when the first Montgolfier balloon went soaring into the clouds, down to the early triumphs of the airplane in France and the great contests and meetings that followed them, ardent enthusiasts over each and every form of aerial sport. England, in spite of the fact that her sportsmen fliers were winning new triumphs daily, and in spite of the public interest that was taken from the very beginning in the advance of aviation, had, at the beginning of 1911, just one military airplane. America, ardent devotee of Peace, even while the World War was raging in Europe, failed to take steps to provide herself with an aerial fleet.
But when we come to Germany, the story of aviation takes an entirely different turn. The Germans as a people were never wildly enthusiastic over airplanes, for they lacked the fine sportsmanship and love of daring adventure which produced so many clever aviators in other lands. In fact, until they saw its utter inability to compete with the heavier-than-air machine as a military weapon, they confined themselves almost entirely to the construction of the safe and comfortable dirigible. With the possible exception of such a man as Lilienthal, the Germans took slight personal interest in the subject of human flight. It was the German government that, by lavish expenditure, and by every means known to it, encouraged experiment and progress.
The whole thought in Germany, both in the days of the dirigible and later, when the airplane had proved its superiority, was solely to develop the flying machine as an instrument of war. It was for this that she began her costly and gigantic program of Zeppelin construction, it was for this that the best engineers in the Empire were set to work designing aeronautic engines. It was not without some chagrin that the German military authorities gave up their dream of world conquest by means of the Zeppelin, and set themselves to building airplanes instead. Yet when they did, they applied to the new problem the same thoroughness, the same military precision and uniformity that had marked their earlier program. Reading of the French machines we are fascinated by the many types and patterns that the ingenious Frenchmen were able to devise. In Germany everything was carefully systematized by the government, individual designs were discouraged unless they fitted into the military scheme of things, and the airplane was produced in large numbers, like so many blackjacks, all exactly alike, to be used in striking the peaceful nations of the world.
German thoroughness went a long way in perfecting the airplane as a war instrument. When, in August 1914, her sword finally descended, she had close on to 800 machines and a thousand trained pilots, together with a small force of seaplanes and pilots. To-day, according to an English authority, she has at least 20,000 aircraft of all sorts, manned by a force of 300,000 pilots, observers, and bombardiers.
The first German machines to fly over French territory might well have struck terror to the hearts of the plucky French, for they were equipped with the cleverest instruments of destruction that Germany could devise. The swept-back, curved wings of these standard biplanes won them the name of Taube or “dove.” Certainly they were not “doves of peace.” They were equipped with wireless, carried cameras for reconnaissance work, had the most accurate recorders of height and speed, dependable compasses, instruments for bomb-dropping, dual control systems, so that they could be operated by either pilot or observer, and dozens of other small improvements and accessories that made them more than a match for the French machines sent up to dispute their supremacy in the air. The challenge these machines presented to the genius of the French was taken up with vigor. It was not long before they found themselves an obsolete form of aircraft in the great war in the air, and for all their inventions and improvements, they were forced back into their hangars.
By the Spring of 1915, the French were soaring through the sky in fast fighting machines that made the air a very unsafe place for the plodding German “maid-of-all-work.” The Germans bestirred themselves to think of some method of getting even with these unreasonable French pilots, who somehow refused to admit defeat. The machine which they sent out in answer to the Nieuport monoplane and others of its type was the invention of a Dutchman; it succeeded in creating quite a sensation for a while in Allied circles, until like others of its company it was superseded by French inventive genius and rendered a more or less harmless craft.
This supposedly invincible fighter was the Fokker. In general construction it was largely an imitation of the French Morane monoplane, but it had one entirely new feature that rendered it at the time a formidable adversary. That was what was known as a synchronized gun, firing through the propeller.