DIXVILLE NOTCH, NEW HAMPSHIRE,
September 18, 1908.

CONTENTS

THE MAN

I [ RECORDS AND EVENTS]
II [ PERSONAL TRAITS AND VIEWS]

THE MUSIC-MAKER

III [ HIS ART AND ITS METHODS]
IV [ EARLY EXPERIMENTS]
V [ A MATURED IMPRESSIONIST]
VI [ THE SONATAS]
VII [ THE SONGS]
VIII [ SUMMARY]
[ LIST OF WORKS]

ILLUSTRATIONS

PLATE NO.
I [ EDWARD MACDOWELL] (Frontispiece)
II [ MACDOWELL AT FOURTEEN
From a sketch drawn by himself]
III [ MACDOWELL AT EIGHTEEN, AS A MEMBER OF RAFF'S CLASS AT THE FRANKFORT CONSERVATORY]
IV [ A SKETCH OF LISZT BY MACDOWELL, DRAWN IN 1883]
V [ FACSIMILE OF A LETTER FROM LISZT TO MACDOWELL]
VI [ A LETTER FROM LISZT TO MACDOWELL ACCEPTING THE DEDICATION OF THE FIRST PIANO CONCERTO]
VII [ MACDOWELL AND TEMPLETON STRONG
From a photograph taken at Wiesbaden in 1888]
VIII [ MACDOWELL IN 1892]
IX [ FACSIMILE OF A LETTER FROM GRIEG TO MACDOWELL, ACCEPTING THE DEDICATION OF THE "NORSE" SONATA. ONE OF GRIEG'S RARE ATTEMPTS AT ENGLISH COMPOSITION]
X [ THE HOUSE AT PETERBORO, NEW HAMPSHIRE, WHERE MACDOWELL SPENT HIS SUMMERS]
XI [ THE PIAZZA AND GARDEN WALK AT PETERBORO]
XII [ A WINTER VIEW OF THE PETERBORO HOUSE]
XIII [ THE "HOUSE OF DREAMS UNTOLD"—THE LOG CABIN IN THE WOODS AT PETERBORO WHERE MACDOWELL COMPOSED, AND WHERE MOST OF HIS LATER MUSIC WAS WRITTEN]
XIV [ FACSIMILE OF A PORTION OF THE MS. OF THE "SONATA TRAGICA"]
XV [ FACSIMILE OF A PASSAGE FROM THE ORIGINAL MS. OF THE "KELTIC" SONATA]
XVI [ THE MUSIC-ROOM AT PETERBORO]

... we grow immortal,