"Phaëton has obtained leave to drive his father's, the Sun's, chariot through the heavens. But his unskilful hands lead the steeds astray. The flaming chariot, thrown out of its course, approaches the terrestrial regions. The whole universe is about to perish in flames, when Jupiter strikes the rash Phaëton with his thunderbolt." [131]
The portentous drive is first pictured, the gallop of the horses being indicated by an imitative figure in the strings, wood-wind, and horns. A suave and noble theme for the horns has been said to suggest celestial visions glimpsed by the charioteer in the course of his daring flight.[132] The furious rhythm of the drive is heard again, increasing to a precipitate pace. It is cut short by the Jovian thunderbolt (kettle-drums, bass-drum, cymbals, tam-tam). Then, as its reverberations die away, we hear again the august harmonies of the second theme; there is a reminiscence of the opening motive (of the ride), and the music ends ppp.
"DANCE OF DEATH" ["DANSE MACABRE">[, SYMPHONIC POEM No. 3: Op. 40
This symphonic poem illustrates a fantastic poem by Henri Cazalis, lines from which are prefixed to the score. They are as follows (in a prose translation made by Mr. W. F. Apthorp):
"Zig and Zig and Zig, Death plays in cadence,
Beating time with his heel upon a tombstone;
Death plays a dance-tune, Zig and Zig and Zig, on his fiddle.
The winter wind blows, and the night is dark;
Groans come from under the lindens;
White skeletons flit across the gloom,
Running and skipping in their capacious shrouds.
Zig and Zig and Zig, capers every one;
You hear the dancers' bones rattle.
"But whist! Of a sudden they quit their dance;
They rush off helter-skelter, the cock has crowed."
A violin solo impersonates Death the fiddler, while the rattling of the bones of the grewsome dancers is delineated by the xylophone (wood-harmonica). The uncanny dance increases in wildness and abandon until it is cut short by the cock-crow (oboe).